Tiamat

“ It may date back to that remote period when the fruits of trees constituted an important part of the food by which human life was sustained. 1 Tiamat is the original watery chaos from which heaven and earth were generated. Babylonian philosophers see in it the mother of the world and the source of all things, while in mythology it appears as the representative of disorder and the mother of the monsters of the deep. After a long struggle Tiamat was conquered, as we read in the fourth tablet of the creation-story, by the Sun-god, Belus or Bel-Merodach. ”

“ Gimil-ishbi shook his head; his shadow fell on the wall like that of a great vulture, crouching over a dying victim.
"None so wise as the priests of Tiamat, who fools believe died long ago under the sword of Ea. Tiamat is deathless; she reigns in the shadows; she spreads her dark wings over her worshipers."
"I know them not," muttered Pyrrhas uneasily.
"The cities of men know them not; but the waste-places know them, the reedy marshes, the stony deserts, the hills, and the caverns. To them steal the winged ones from the House of Arabu." ”

“ As in the Bible account, men are created before beasts, and the region of their first abode seems to be the same as the Eden of Genesis.
Let us now turn to the poem in which the combat between Tiamat and Marduk forms the principal feature. For some unexplained reason Tiamat rebels against the gods. Collecting her hosts, among them frightful demon shapes of all imaginable forms, she advances for the purpose of expelling the gods from their seats. The affrighted deities turn for protection to the high gods, Anu and Ea, who, however, recoil in terror from the hosts of the dragon Tiamat. ”

“ My allies are assembled here, and are more powerful than thou art."
Merodach uplifted his arm, grasping the dreaded thunderstone, and spake unto Tiamat, the rebellious one, saying: "Thou hast exalted thyself, and with wrathful heart hath prepared for war against the high gods and their fathers, whom thou dost hate in thy heart of evil. Unto Kingu thou hast given the power of Anu to decree fate, because thou art hostile to what is good and loveth what is sinful. Gather thy forces together, and arm thyself and come forth to battle." ”

“ With Tiamat he lamented because the gods had changed all things; the plans of the gods filled their hearts with dread; they sorrowed and spake with Mummu, plotting evil.
Then Ea, who knoweth all, drew near; he beheld the evil ones conspiring and muttering together. He uttered a pure incantation and accomplished the downfall of Apsu and Mummu, who were taken captive. [154]
Kingu, who shared the desires of Tiamat, spake unto her words of counsel, saying, "Apsu and Mummu have been overcome and we cannot repose. Thou shalt be their Avenger, O Tempestuous One." ”

“ To decide fates is practically to control the arrangement of the universe—to establish order. It is this function which arouses the natural opposition of Tiâmat and her brood, for Tiâmat feels that once the gods are in control, her sway must come to an end. On the part of the gods there is great terror. They are anxious to conciliate Tiâmat and are not actuated by any motives of rivalry. Order is not aggressive. It is chaos which manifests opposition to 'order.' In the second tablet of the series, Anshar sends his son Anu with a message to Tiâmat ”

“ The rage of Tiâmat is directed against Anshar, Kishar, and their offspring. Anu, Bel, and Ea, while standing at the head of the latter, are not the only gods introduced. When the contest begins, all the great gods and also the minor ones are in existence.
The cause of Tiâmat's rage is indicated, though vaguely, in the portions preserved. In the opening lines of the epic there is a reference to the time 'when fates were not yet decided.' The decision of fates is in the Babylonian theology one of the chief functions of the gods. It constitutes the mainspring of their power. ”

“ It is as barbarous and unintelligent as any myth of Zulu or Fijian. Strictly speaking, it is not a Creation myth at all. Tiamat and her serpent-brood and the gods are all existent before Merodach commences his work, and all that the god effects is a reconstruction of the world. The method of this reconstruction possesses no features superior to those of the Creation myths of other barbarous nations. Our own Scandinavian ancestors had a similar one, the setting of which was certainly not inferior to the grotesque battle of Merodach with Tiamat. ”

“ Indeed, in the narrative of the Creation Tablets of Babylon, which will receive full treatment in a later chapter, Tiamat, the great mother, is the controlling spirit. She is more powerful and ferocious than Apsu, and lives longer. After Apsu's death she elevates one of her brood, named Kingu, to be her consort, a fact which suggests that in the Ishtar-Tammuz myth survives the influence of exceedingly ancient modes of thought. Like Tiamat, Ishtar is also a great battle heroine, and in this capacity she was addressed as "the lady of majestic rank exalted over all gods". ”

“ Here there seems to be a fear lest the blood of Tiâmat, mingling with the mud, should produce a crop of monsters similar to those which the goddess had already created; the blood, if carried to the north, into the domain of the night, would there lose its creative power, or the monsters who might spring from it would at any rate remain strangers to the world of gods and men. ”

“ It appears, however, that the gods have fashioned for them a sword and a bow to fight the dragon Tiamat, and Anu proclaims great honour (fourth fragment, lines 15 to 20) to any of the gods who will engage in battle with her. Bel or Merodach volunteers, and goes forth armed with these weapons to fight the dragon. Tiamat is encouraged by one of the gods
Merodach, or Bel, armed for the Conflict with the Dragon; from Assyrian Cylinder. who has become her husband, and meets Merodach in battle. ”

“ In the beginning the whole universe was a sea. Heaven on high had not been named, nor the earth beneath. Their begetter was Apsu, the father of the primordial Deep, and their mother was Tiamat, the spirit of Chaos. No plain was yet formed, no marsh could be seen; the gods had no existence, nor had their fates been determined. Then there was a movement in the waters, and the deities issued forth. The first who had being were the god Lachmu and the goddess Lachamu. ”

“ This is a very obscure inscription, the first column, however, forms part of a relation similar to that of Berosus in his history of the Creation; the beings who were killed by the light, and those with men's heads and bird's bodies, and bird's heads and men's bodies, agree with the composite monsters of Berosus, while the goddess of chaos, Tiamat, who is over them, is the same again as the Tiamat of the Creation legends and the Thalatth of Berosus. ”

“ The second and third tablets, however, and possibly the fourth, were occupied with the story of the struggle between Tiamat the dragon of darkness, and Merodach the Sun-god, which finds its echo in the Apocalypse (Rev. xii. 7-9) . Out of the skin of Tiamat, Merodach formed the firmament which 'divided the waters which were under the firmament from the waters which were above it.' Other accounts of the Creation existed, which differed essentially from that of the Epic. ”

“ But although Tiamat was slain, the everlasting battle between the forces of good and evil was ever waged in the Babylonian world. Certain evil spirits were let loose at certain periods, and they strove to accomplish the destruction of mankind and his works. These invisible enemies were either charmed away by performing magical ceremonies, or by invoking the gods to thwart them and bind them.
Other spirits inhabited the bodies of animals and were ever hovering near. The ghosts of the dead and male and female demons were birds, like the birds of Fate which sang to Siegfried. ”

“ Following my usual course of ending the chapter on each nation with a legend or story, in which fish or ichthyic monsters figure as direct or indirect agents of some important event, I subjoin the only myth in Assyrian literature which comes within this category, viz. the famous fight between Marduk and Tiāmat, the monstrous creature of the deep.
Tiāmat, with her consort Apsū, had revolted against the gods and brought into being a brood of monsters to destroy them. So formidable seemed her forces that all appeals by Anshar, the leader of the gods, to Anu, and then to Ea, were made in vain. ”

“ In their room he created mankind. [166]
Tiamat, the chaos dragon, is the Great Mother. She has a dual character. As the origin of good she is the creatrix of the gods. Her beneficent form survived as the Sumerian goddess Bau, who was obviously identical with the Phoenician Baau, mother of the first man. Another name of Bau was Ma, and Nintu, "a form of the goddess Ma", was half a woman and half a serpent, and was depicted with "a babe suckling her breast" (Chapter IV) . The Egyptian goddesses Neheb-kau and Uazit were serpents, and the goddesses Isis and Nepthys had also serpent forms. ”

“ Ea, the heroic king, sets forth to combat with the enemies of man, and slays the monster father, Apsu, and his son, Mummu. But the most powerful demon remains to be dealt with. This is the mother Tiamat, who burns to avenge the deaths of her kindred. To wage war against her the hero makes elaborate preparations, and equips himself with special weapons. The queen of monsters cannot be overcome by ordinary means, for she has great cunning, and is less vulnerable than were her husband and son. Although Ea may work spells against her, she is able to thwart him by working counter spells. ”

“ In Scotland the hag-mother of winter and storm and darkness is the enemy of growth and all life, and she raises storms to stop the grass growing, to slay young animals, and prevent the union of her son with his fair bride. Similarly the Babylonian chaos spirits, Apsu and Tiamat, the father and mother of the gods, resolve to destroy their offspring, because they begin to set the Universe in order. Tiamat, the female dragon, is more powerful than her husband Apsu, who is slain by his son Ea. ”

“ The primordial beings are destroyed but not so the creative power (phallus, tree, the red and the white) . It passes on to posterity (son) which uses it in turn.
Dismemberments in creation myths are not always multiple but sometimes dichotomous. Thus in the Babylonian cosmogony Marduk splits the monster [pg 073] Tiamat into two pieces, which henceforth become the upper and lower half of heaven. Winckler concludes that Tiamat is man-woman (primal pair) . This brings us to the type of creation saga where the producer of the (improved) world separates the primal pair, his parents. ”

“ An epithet descriptive of Tiâmat. "Ummu" is "mother" and "khubur" signifies "hollow"; "mother of the hollow" would be a poetic expression for "source of the deep," and an appropriate term to apply to Tiâmat. It has nothing to do with Omoroka. The latter, as Wright has shown, is a corruption of "O Marduk" (Zeits. f. Assyr. x. 71-74) .
[712] The word used is Lakhami, the plural of Lakhamu.
[713] This scene, the description of the monsters and the installation of Kingu, occurs four times in the 'Epic.' See p. 424.
[714] Delitzsch, Babylonische Weltschöpfungsepos, p. 25. ”

“ With difficulty he returns to earth, and, as he washes himself from the pollution of Hades, there are born from the turbid water a number of evil deities succeeded by a number of good, just as in the Babylonian cosmogony the primordial ocean, Tiamat, brings forth simultaneously gods and imps. ”

“ It is unfortunate that the second tablet is so badly preserved. We are dependent largely upon conjecture for what [Pg 422] follows the failure of Anu's mission. From references in subsequent tablets, it seems certain that Anshar sends out Ea as a second messenger and that Ea also fails. Tiâmat is determined upon destroying the gods, or at least upon keeping from them the 'decision of fates.' Anshar, it will be seen, stands at the head of the pantheon, and it seems natural that he, and not one of his offspring, should be the final victor. ”

“ The Babylonian Creation epic teaches us that, in remotest antiquity, the association of light and life with the male, and darkness and death with the female principle had become current. A mighty war takes place between the female serpent Tiamat, associated with evil, and the male god Marduk, the champion of the gods of the upper realm, which ends in her overthrow. ”

“ Marduk slays Tiamat by driving the wind into her body; the warriors who accompany her have those composite forms familiar to us from Babylonian and Egyptian statues, paintings, and seals, which are the product of that early thought for which there was no essential difference between man and beast. The festival in which the gods carouse is of a piece with the divine Ethiopian feasts of Homer. On the other hand, the idea of the omnipotence of the divine word, when Marduk makes the garment disappear and reappear, is scarcely a primitive one. ”

“ This misfortune happens when Zu robs En-lil of the tablets by means of which law and order are established. En-lil is powerless. The bold act of Zu causes consternation among the gods. Anu calls upon some one to pursue Zu and capture him. The bird dwells in an inaccessible recess in the mountains, and the gods are afraid to approach his nest. The scene that ensues reminds us of the episode of the creation epic, where Anshar calls upon Anu, Bel, and Ea in turn to subdue Tiâmat. ”