Pictorial Photographers of America

Summary

Pictorial Photographers of America Pictorial Photography in America 1920 (1920)

The salon workers of the past five or ten years are with few exceptions as keen as ever for their art, and a very talented and numerous lot of new workers are coming to the front.
The center, in fact the stronghold, of Western pictorial photography is undoubtedly California. All forms of art seem to flourish mightily in this genial clime of wondrous, colorful beauty. A land of smiling sunshine, of lofty snow-capped peaks, of weird trees, of golden poppy-covered slopes, of sparkling seas—it is small wonder that the young art of the camera should thrive so vigorously there.
Source: Gutenberg

Pictorial Photographers of America Pictorial Photography in America 1920 (1920)

By John Paul Edwards The progress of pictorial photography in the Far West can be aptly compared with the settlement and growth of this big new country itself. We have had our pictorial pioneers, as it were—our hard-working, enthusiastic, rather crude first settlers in the art; now we have come to the stage of permanent abode, with traditions, albeit young, great enthusiasm, definite ideals, and ambitious hopes for the future.
The one great asset in the upbuilding of the West has been boundless enthusiasm.
Source: Gutenberg

Pictorial Photographers of America Pictorial Photography in America 1920 (1920)

In the world at large, pictorial photography has grown amazingly. This has led to a more pronounced line of demarkation between the dilettante and the intelligent worker of appreciation, with the balance of influence inclining strongly to the latter. In Maryland there has been an upheaval, a photographic revolution, so to speak, and out of the wreckage has sprung the Photographic Guild of Baltimore, which has done more to put Maryland photographically to the fore in its five years of activity than had been done in all the years previous.
Source: Gutenberg

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