Summary

C. Vincent Patrick The Case Against Spirit Photographs

We all know, too, how faces get distorted in dreams (though by somewhat different causes from those which we are considering here) , and it may well be that it is for reasons of this kind that recognition is so often unreliable even in ordinary life. Which of us has not been struck by the likeness of a press photograph to someone whom we know, or who has not been momentarily misled by the slight resemblance of a passer-by to his contemporary inamorata?
Source: Gutenberg

C. Vincent Patrick The Case Against Spirit Photographs

I do not imagine, as apparently do many worthy spiritualists who do not even know the first word about fraud, that my not extraordinary powers of observation are a match for the adroit and experienced medium, and I would no more back myself to spot fraud every time it was tried than I would back myself to win money off a cardsharper!
If one were allowed real test conditions, it would be quite another matter. But one is not. One is allowed to watch—when one’s attention is not distracted by some natural-seeming incident
Source: Gutenberg

C. Vincent Patrick The Case Against Spirit Photographs

Now I maintain that the conditions imposed upon me were as strict, or stricter, than any professional medium allows. If an amateur photographer but little practised in sleight-of-hand can under such conditions deceive intelligent observers—not once, but several times over—how much easier will it not be for the professional spirit photographer, who makes such frauds his business?
Source: Gutenberg

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