Spirit photography

Definition and stakes

Portrait of E. W. Hornung E. W. Hornung,  The Camera Fiend

“ Suffice it that to me, for many years, the only path to the Invisible has been the path of so-called spiritualism; the only lamp that illumined that path, so that all who saw might follow it for themselves, the lamp of spirit photography. It is a path with a bad name, a path infested with quacks and charlatans, and by false guides who rival the religious fanatics in the impudence of their appeal to man’s credulity. Even those who bear the lamp I hold aloft are too often jugglers and rogues, to whose wiles, unfortunately, the simple science of photography lends itself all too readily. ”
Source: Gutenberg

Portrait of Benedetto Croce Benedetto Croce,  Æsthetic as science of expression and general linguistic

“ But on the other hand if an artist paint the interior of a wax-work museum, or if an actor give a burlesque portrait of a man-statue on the stage, we have work of the spirit and artistic intuition. Finally, if photography have in it anything artistic, it will be to the extent that it transmits the intuition of the photographer, his point of view, the pose and grouping which he has striven to attain. And if photography be not quite an art, that is precisely because the element of nature in it remains more or less unconquered and ineradicable. ”
Source: Gutenberg

C. Vincent Patrick,  The Case Against Spirit Photographs

“ Since spiritualists claim that the presence of invisible spirits may be detected by photography, it seems reasonable to inquire how far this is compatible with established physical facts. If a plate is wrapped in paper and submitted to “spirit influences”—whatever these may be—never being exposed in a camera at all, and on development shows faces or writing, I personally can only find one explanation—trickery. ”
Source: Gutenberg

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