Plato

Plato

Summary

Portrait of Plato Plato Phaedo

Still I suspect that you and Simmias would be glad to probe the argument further. Like children, you are haunted with a fear that when the soul leaves the body, the wind may really blow her away and scatter her; especially if a man should happen to die in a great storm and not when the sky is calm.
Cebes answered with a smile: Then, Socrates, you must argue us out of our fears—and yet, strictly speaking, they are not our fears, but there is a child within us to whom death is a sort of hobgoblin; him too we must persuade not to be afraid when he is alone in the dark.
Source: Gutenberg

Portrait of Plato Plato Phaedo

But philosophy has spoken to him, and he has heard her voice; she has gently entreated him, and brought him out of the 'miry clay,' and purged away the mists of passion and the illusions of sense which envelope him; his soul has escaped from the influence of pleasures and pains, which are like nails fastening her to the body. To that prison-house she will not return; and therefore she abstains from bodily pleasures—not from a desire of having more or greater ones, but because she knows that only when calm and free from the dominion of the body can she behold the light of truth.
Source: Gutenberg

Portrait of Plato Plato Phaedo

Again, believing in the immortality of the soul, we must still ask the question of Socrates, 'What is that which we suppose to be immortal?' Is it the personal and individual element in us, or the spiritual and universal? Is it the principle of knowledge or of goodness, or the union of the two? Is it the mere force of life which is determined to be, or the consciousness of self which cannot be got rid of, or the fire of genius which refuses to be extinguished?
Source: Gutenberg

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