Ralph Waldo Emerson

Ralph Waldo Emerson

Summary

Portrait of Ralph Waldo Emerson Ralph Waldo Emerson Essays: First Series — Love (1841)

Passion beholds its object as a perfect unit. The soul is wholly embodied, and the body is wholly ensouled.
"Her pure and eloquent blood Spoke in her cheeks, and so distinctly wrought, That one might almost say her body thought." Romeo, if dead, should be cut up into little stars to make the heavens fine. Life, with this pair, has no other aim, asks no more, than Juliet, — than Romeo. Night, day, studies, talents, kingdoms, religion, are all contained in this form full of soul, in this soul which is all form.
Source: Wikisource

Portrait of Ralph Waldo Emerson Ralph Waldo Emerson Essays: First Series — Love (1841)

The passion rebuilds the world for the youth. It makes all things alive and significant. Nature grows conscious. Every bird on the boughs of the tree sings now to his heart and soul. The notes are almost articulate. The clouds have faces as he looks on them. The trees of the forest, the waving grass, and the peeping flowers have grown intelligent; and he almost fears to trust them with the secret which they seem to invite. Yet nature soothes and sympathizes. In the green solitude he finds a dearer home than with men.
Source: Wikisource

Portrait of Ralph Waldo Emerson Ralph Waldo Emerson Essays: First Series — Love (1841)

The lover cannot paint his maiden to his fancy poor and solitary. Like a tree in flower, so much soft, budding, informing love-liness is society for itself, and she teaches his eye why Beauty was pictured with Loves and Graces attending her steps. Her existence makes the world rich. Though she extrudes all other persons from his attention as cheap and unworthy, she indemnifies him by carrying out her own being into somewhat impersonal, large, mundane, so that the maiden stands to him for a representative of all select things and virtues.
Source: Wikisource

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