Raymond S. Spears

Raymond S. Spears

Summary

Portrait of Raymond S. Spears Raymond S. Spears Spell of the Desert (1923)

Some men may dwell content in that open land, bare and silent as it is, because it satisfies some hope in their souls, but not Henry Howard—not the man who had gone desperately into that most dangerous of places, hating his own life, despising all that he was, struggling as with a burden, with an invisible, intangible antagonist, with a spirit that was unrest. And yet he loved the desert, and he endured hunger, thirst, and silence.
Source: Wikisource

Portrait of Raymond S. Spears Raymond S. Spears Spell of the Desert (1923)

She mocked him with the radiance of their bright humor, while her lips smiled till the joy of appreciation in his heart made it ache.
"These desert stones," she said. "Don't they ever make you think of anything but granite and obsidian and sedimentary rocks?"
He drew back, staring at her. She stood in the full glory of her young but mature womanhood. Through her blazed the flames of personality. In her figure was grace, in her face beauty, in her eyes burning pleasure. Never had she presented to the camera lens so wonderful a picture as the one she now gave to Henry Howard for his very own.
Source: Wikisource

Portrait of Raymond S. Spears Raymond S. Spears Spell of the Desert (1923)

Beneath him he looked into distances of descending slopes gorgeous with the bright desert hues. In no direction could he see any house, any sign of habitation, any suggestion of human neighbors.
He loved the loneliness that fell upon his soul. He cringed before the enormous crags that reminded him of the tiny height of rock on Lexington Avenue. He seemed to see everywhere the sharp features and great, dreamy eyes of the girl who, in his mind, was indelibly associated with the earth's eternal granite.
To please his parents, he need do but one thing—find health and strength.
Source: Wikisource

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