Raymond S. Spears

Raymond S. Spears

Summary

Portrait of Raymond S. Spears Raymond S. Spears,  The Ripe Peach (1922)

“ The world tells its children the most outrageous lies, to make them believe that their dreams have been realized. There were ripe peaches on the tree, and pigs eating some that had fallen from the weight of their own juices.
A log cabin with one room, a floor of half-round timbers, hewn top and sides. Shade for chickens and pigs under the house, and birds on the roof, a fence around the clearing to keep the woods and half-wild cattle out of the richness of a field long neglected for the music of the fiddler's soul.
"I have no music in me soul," Jim sighed as night fell.
”
Source: Wikisource

Portrait of Raymond S. Spears Raymond S. Spears,  The Ripe Peach (1922)

“ There is always some question when a great black bass is at one end of a fish-line, hanging to a bent, black piece of tempered steel, and a tall, embattled man is at the other end, giving the various lever lifts on a pole, as to what the issue will be. For minutes Jim was full of excitement, which did not end as at last the green depths of the pool yielded a tumbling, twisting, diving, pin-wheeling mass of shimmering bronze with silver, which churned the surface for a minute into white gleaming foam on which the sun fell with bright-colored hues ”
Source: Wikisource

Portrait of Raymond S. Spears Raymond S. Spears,  The Ripe Peach (1922)

“ One does not recall with fluency a hundred and seventy-odd jobs without also recalling ways and means of accomplishing things. Jim Carney, who had hoed, ploughed, pitched, grubbed, built fences, and swamped roads for other men, now felt the joy of doing things for himself. ”
Source: Wikisource

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