Summary

Portrait of Rebecca Harding Davis Rebecca Harding Davis Life in the Iron-Mills; Or, The Korl Woman

There is a woman, old, deformed, who takes a humble place among them: waiting like them: in her gray dress, her worn face, pure and meek, turned now and then to the sky. A woman much loved by these silent, restful people; more silent than they, more humble, more loving. Waiting: with her eyes turned to hills higher and purer than these on which she lives, dim and far off now, but to be reached some day. There may be in her heart some latent hope to meet there the love denied her here,—that she shall find him whom she lost, and that then she will not be all-unworthy.
Source: Gutenberg

Portrait of Rebecca Harding Davis Rebecca Harding Davis Life in the Iron-Mills; Or, The Korl Woman

Think that God put into this man's soul a fierce thirst for beauty,—to know it, to create it; to be—something, he knows not what,—other than he is. There are moments when a passing cloud, the sun glinting on the purple thistles, a kindly smile, a child's face, will rouse him to a passion of pain,—when his nature starts up with a mad cry of rage against God, man, whoever it is that has forced this vile, slimy life upon him.
Source: Gutenberg

Portrait of Rebecca Harding Davis Rebecca Harding Davis Life in the Iron-Mills; Or, The Korl Woman

The heap was the refuse of the burnt iron, and was not a hard bed; the half-smothered warmth, too, penetrated her limbs, dulling their pain and cold shiver.
Miserable enough she looked, lying there on the ashes like a limp, dirty rag,—yet not an unfitting figure to crown the scene of hopeless discomfort and veiled crime: more fitting, if one looked deeper into the heart of things, at her thwarted woman's form, her colorless life, her waking stupor that smothered pain and hunger,—even more fit to be a type of her class.
Source: Gutenberg

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