“ That is the pure note of the early James, like a pipe played carefully by a boy. It sounds as beautifully in Daisy Miller, that short novel which, though it deals with conditions peculiar to a small section of continental life forty years ago, will strike each new generation afresh as sad and lovely. Daisy, who is like one of those girls who smile upon us from the covers of American magazines, glaringly beautiful and healthy but without the "tone" given by diligent study of the grace of conduct, comes to Europe and plays in its sunshine like a happy child. ”
Rebecca West
Summary
Rebecca West’s Henry James examines the literary brilliance of the American novelist through his exploration of consciousness, beauty, and the interaction between art and life. Focusing on works like Daisy Miller and The Golden Bowl, West analyzes James’s psychological depth, his fascination with European settings, and his depiction of characters navigating cultural and emotional intricacies.
She emphasizes his stylistic exactness, the contrast between unfiltered experience and polished artistry, and the lingering impact of his narratives, culminating in a reflection on how James’s fiction captures the delicate balance between human desire and aesthetic idealism.
Quotes from Henry James (Rebecca West)
“ But it is the essence of Mr James' Paradise that there is nothing there at all but a climate, a sweet soft climate in which the most that happens is one of those summer sprinkles that brings out smells. This fatigue of life, this hunger for the peace of nothingness, showed itself in his increasing preference for laying the scene of his novels in the great good places of this earth, where there is nothing more dangerous in the parks and on the terraces than deer and peacocks, and nothing more disturbing to the soul in the high rooms and interminable galleries than well-bred women. ”
“ There one passes into the golden glow of Venice, "where the sky and the sea and the rosy air and the marble of the palaces all shimmer and melt together.... The gondola stopped, the old palace was there.... How charming! it's grey and pink!" And under the painted ceiling of the old palace sits bleached and shrivelled Juliana Bordereau, the memory of her love affair with the great poet Aspern hanging in the air like incense and filling the mind with tears that such splendid lovers buy no immortality, but grow old like the rest. ”
