Summary

Portrait of Richard Harding Davis Richard Harding Davis Three gringos in Venezuela and Central America (1896)

It is Washington the statesman, not the soldier. The sun of the tropics beats down upon his shoulders; the palms rustle and whisper pleasantly above his head. From the barred windows of the yellow and blue and pink houses that line the little plaza dark-eyed, dark-skinned women look out sleepily, but understandingly, at the grave face of the North American Bolivar; and even the policeman, with his red blanket and Winchester carbine, comprehends when the gringos stop and take off their hats and make a low bow to the father of their country in his pleasant place of exile.
Source: Gutenberg

Portrait of Richard Harding Davis Richard Harding Davis Three gringos in Venezuela and Central America (1896)

Even without acquaintances among the people of the capital there are enough public show-places in Caracas to entertain a stranger for a fortnight. It is pleasure enough to walk the long, narrow streets under brilliantly colored awnings, between high one- and two-story houses, painted in blues and pinks and greens, and with overhanging red-tiled roofs and projecting iron balconies and open iron-barred windows, through which you gain glimpses beyond of cool interiors and beautiful courts and gardens filled with odd-looking plants around a splashing fountain.
Source: Gutenberg

Portrait of Richard Harding Davis Richard Harding Davis Three gringos in Venezuela and Central America (1896)

PRESIDENT CRESPO, OF VENEZUELA
[252] The portraits in the state-room of the palace immortalize the features of fierce-looking, dark-faced generals, with old-fashioned high-standing collars of gold-braid, and green uniforms. Strange and unfamiliar names are printed beneath these portraits, and appear again painted in gold letters on a roll of honor which hangs from the ceiling, and which faces a list of the famous battles for independence.
Source: Gutenberg

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