Summary

Portrait of Robert Browning Robert Browning Life and Letters of Robert Browning

To Aristophanes he gave the dramatic sympathy which one lover of life can extend to another, though that other unduly extol its lower forms. To Euripides he brought the palm of the higher truth, to his work the tribute of the more pathetic human emotion. Even these for a moment ministered to the greatness of Aristophanes, in the tear shed by him to the memory of his rival, in the hour of his own triumph; and we may be quite sure that when Mr. Browning depicted that scene, and again when he translated the great tragedian's words, his own eyes were dimmed.
Source: Gutenberg

Portrait of Robert Browning Robert Browning Life and Letters of Robert Browning

Browning's nature. He shrank, as his wife had done, from the 'earth side' of the portentous change; but truth compels me to own that her infinite pity had little or no part in his attitude towards it. For him, a body from which the soul had passed, held nothing of the person whose earthly vesture it had been. He had no sympathy for the still human tenderness with which so many of us regard the mortal remains of those they have loved, or with the solemn or friendly interest in which that tenderness so often reflects itself in more neutral minds.
Source: Gutenberg

Portrait of Robert Browning Robert Browning Life and Letters of Robert Browning

Browning's nature were as slow as its more superficial response was swift; and while 'Dramatis Personae', 'The Ring and the Book', and even 'Balaustion's Adventure', represented the gradually perfected substance of his poetic imagination, 'Fifine at the Fair' was as the froth thrown up by it during the prolonged simmering which was to leave it clear. The work displays the iridescent brightness as well as the occasional impurity of this froth-like character. Beauty and ugliness are, indeed, almost inseparable in the moral impression which it leaves upon us.
Source: Gutenberg

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