Robert E. Mansfield

Summary

Robert E. Mansfield Progressive Chile (1913)

A photographic view of one of these country homes needs only a few touches of the artist’s brush to make it an idyl. A home glimpse in Chile, even on an hacienda, is no exception. Sunlight through a camera glorifies vistas and ennobles foliage; it promotes stucco and plaster to marble and gives grace and beauty to commonplace things. The lumbering teams of oxen and the huge two-wheeled carts add to the picturesque placidity of the scene which presents an appearance of perpetual summer and glorious afternoon.
Source: Gutenberg

Robert E. Mansfield Progressive Chile (1913)

The general appearance of the roto, as one sees him on the road, with dirty face, dingy straw hat drawn well down over his eyes, trousers rolled up at the ankle, shirt open at the chest, a corvo in his belt and a poncho thrown over his shoulders, is that of approaching ruin. His face is more repulsive than ugly, and he is more nearly naked than ragged. Some of the more provident among them, however, wear clean clothes on Sundays and other feast days. They occasionally wash their hands and faces, but never their bodies. They are by nature a pacific people.
Source: Gutenberg

Robert E. Mansfield Progressive Chile (1913)

Soon after the death of Valdivia, the colonial government in Chile was organized by the worst class of Spanish Bohemians,—men who had not even a cheap or spectacular glory to their credit, and who lacked the capacity or disposition to engage in work of any character, or to develop the resources of the country. It was a sad and calamitous existence the people led under the despotic and ruinous misrule of Spain. Nothing flourished or savored of goodness.
Source: Gutenberg

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