Marie Robinson Wright

Marie Robinson Wright

Summary

Portrait of Marie Robinson Wright Marie Robinson Wright The old and the new Peru (1908)

For fifteen miles beyond Santa Clara, the railway train climbs upward until the town of Chosica is reached, the scenery increasing in beauty as the valley narrows between the hills of the sierra and the foliage of the mountain side grows fresher and of more gorgeous hues. Chosica is one of the most popular health resorts of Peru, and has a delightful climate all the year round. Situated in the midst of mountains at an altitude of three thousand feet, it possesses many advantages as a sanitarium for invalids, and is a pleasant place of residence for those who like a restful and quiet retreat.
Source: Gutenberg

Portrait of Marie Robinson Wright Marie Robinson Wright The old and the new Peru (1908)

Carnival, the gayest holiday festival of the year, is now quite a subdued celebration compared with what it was in the seventeenth and eighteenth centuries, when “Lima was no more than a city of Andalusia transplanted to the New World, with all the extravagances of the romantic, artistic, and audacious spirit of old Seville, Malaga, and Cordova.” The freedom of the Carnival season then pervaded all ranks of society, and for three days no one thought of anything but pleasure.
Source: Gutenberg

Portrait of Marie Robinson Wright Marie Robinson Wright The old and the new Peru (1908)

With the inauguration of the republic, the progress of Peru entered a new channel, and though, at first, the stream of liberal ideas had to force a narrow passage between walls of tradition, to surmount rocks and boulders of obstructing prejudice, carrying in its flow an accumulated driftwood of sentiment from the ancient groves of worship, yet its course has been always toward the sea of universal good, and its channel, deepened and widened by the growing force of the current, now forms the bed of a mighty tide of worthy endeavor.
Source: Gutenberg

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