Robert Graves

Robert Graves

Summary

Portrait of Robert Graves Robert Graves Lawrence and the Arabs (1927)

Feisal turned to Lawrence with shining eyes, trying to be calm, and said: ‘Auda is here.’ The tent-flap was drawn back, and a deep voice boomed out salutations to ‘Our Lord, the Commander of the Faithful,’ then entered a tall strong figure, with a haggard face, passionate and tragic. It was Auda; and with him Mohammed, his only surviving son, a boy of eleven years old, already a fighting man. Feisal had sprung to his feet, an honour not due to Auda on account of his rank, for nobler chiefs had been received sitting, but because he was Auda, the greatest fighting man in Arabia.
Source: Gutenberg

Portrait of Robert Graves Robert Graves Lawrence and the Arabs (1927)

Ali knew Syria, for he had been, with Feisal, the forced guest of the Turkish general Jemal at Damascus. Besides, his courage, resource and energy were proved, and no adventure had ever been too great or disaster too deep but Ali had faced it with his high yell of a laugh. He was so strong that he would kneel down, resting his forearms palm upwards on the ground, and rise to his feet with a man standing on each hand. He could also outstrip a trotting camel running with bare feet, keep his speed for a quarter of a mile, and then leap into the saddle.
Source: Gutenberg

Portrait of Robert Graves Robert Graves Lawrence and the Arabs (1927)

The Arabs had gone raving mad. They were running about at top speed, bareheaded, half-naked, screaming, shooting in the air, clawing at each other, as they burst open trucks and staggered off with immense bales which they ripped open by the side of the railway, smashing what they did not want. The train had been packed with refugees, sick men, volunteers for boat-service on the Euphrates, and families of Turkish officers returning to Damascus. To one side of the wreck stood thirty or forty hysterical women, unveiled, tearing their clothes and hair, shrieking together.
Source: Gutenberg

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