Robert Graves

Biographical details

Portrait of Robert Graves Robert Graves,  Lawrence and the Arabs (1927)

“ Ali knew Syria, for he had been, with Feisal, the forced guest of the Turkish general Jemal at Damascus. Besides, his courage, resource and energy were proved, and no adventure had ever been too great or disaster too deep but Ali had faced it with his high yell of a laugh. He was so strong that he would kneel down, resting his forearms palm upwards on the ground, and rise to his feet with a man standing on each hand. He could also outstrip a trotting camel running with bare feet, keep his speed for a quarter of a mile, and then leap into the saddle. ”
Source: Gutenberg

Portrait of Robert Graves Robert Graves,  Country Sentiment

“ First there came Tom and Madge, Kate and I who'll not forget How we played by the water's edge Till the April sun set.
LOVING HENRY. Henry, Henry, do you love me? Do I love you, Mary? Oh, can you mean to liken me To the aspen tree. Whose leaves do shake and vary, From white to green And back again, Shifting and contrary? Henry, Henry, do you love me, Do you love me truly? Oh, Mary, must I say again My love's a pain, A torment most unruly? It tosses me Like a ship at sea When the storm rages fully. Henry, Henry, why do you love me? Mary, dear, have pity!
”
Source: Gutenberg

Portrait of Robert Graves Robert Graves,  On English Poetry

“ I have often heard it said that a poet in intervals between inspirations should keep his hand in by writing verse-exercises, but that he should on such occasions immediately destroy what he has written.
That seems all wrong, it is an insult to the spontaneity of true poetry to go through a ritual farce of this sort and the poet will only be blunting his tools. He ought not to feel distressed at the passage of time as if it represented so many masterpieces unwritten. If he keeps mentally alive and has patience, the real stuff may arrive any moment
”
Source: Gutenberg

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