Rose Macaulay

Rose Macaulay

Summary

Portrait of Rose Macaulay Rose Macaulay,  Dangerous Ages

“ The tedium of life, with no more to do in it—why couldn't it end? The lights were out, the flowers were dead—and yet the unhappy actors had to stay and stay and stay, idling on the empty, darkened stage. (That was how Mrs. Hilary, with her gift for picturesque language, put it.) Must it be empty, must it be dark, Neville uselessly asked, knowing quite well that for one of her mother's temperament it must. Mrs. Hilary had lived in and by her emotions; nothing else had counted. Life for her had burnt itself out, and its remnant was like the fag end of a cigarette, stale and old. ”
Source: Gutenberg

Portrait of Rose Macaulay Rose Macaulay,  Dangerous Ages

“ In front of them the Mount rose in a shallowing violet sea.
"My word!" said Barry, and Kay, screwing up his eyes, murmured, "Good old Mount." Gerda's lips parted in a deep breath; beauty always struck her dumb.
Into the pale-washed, straggling old village they rode, stabled their bicycles, and went down to the shining evening sands, where now the paved causeway to the Mount was all exposed, running slimy and seaweedy between rippled wet sands and dark, slippery rocks. Bare-footed they trod it, Gerda and Kay in front, Barry and Nan behind, and the gulls talking and wheeling round them.
”
Source: Gutenberg

Portrait of Rose Macaulay Rose Macaulay,  Dangerous Ages

“ Perhaps happy unions were not for such as Nan. But at the thought of Nan playing that desperate game with Stephen Lumley in Rome, Neville's face twitched....
She would go to Rome. She would see Nan; find out how things were. Nan always liked to see her, would put up with her even when she wanted no one else.
That was, at least, a job one could do. These family jobs—they still go on, they never cease, even when one is getting middle-aged and one's brain has gone to pot. They remain, always, the jobs of the affections.
”
Source: Gutenberg

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