Summary

Portrait of Rudyard Kipling Rudyard Kipling Wee Willie Winkie, and other stories (1890)

Kiss me, too," said His Majesty the King dreamily. "You isn't very angry, is you?"
The fever burned itself out, and His Majesty the King slept.
When he waked, it was in a new world—peopled by his father and mother, as well as Miss Biddums: and there was much love in that world and no morsel of fear, and more petting than was good for several little boys. His Majesty the King was too young to moralise on the uncertainty of things human, or he would have been impressed with the singular advantages of crime, ay, black sin.
Source: Wikisource

Portrait of Rudyard Kipling Rudyard Kipling Wee Willie Winkie, and other stories (1890)

The devastating track of the pony's feet was the last misdeed that cut him off from all sympathy of Humanity. He turned into the road, leaned forward, and rode as fast as the pony could put foot to the ground in the direction of the river.
But the liveliest of twelve-two ponies can do little against the long canter of a Waler. Miss Allardyce was far ahead, had passed through the crops, beyond the Police-post, when all the guards were asleep, and her mount was scattering the pebbles of the river bed as Wee Willie Winkie left the cantonment and British India behind him.
Source: Wikisource

Portrait of Rudyard Kipling Rudyard Kipling Wee Willie Winkie, and other stories (1890)

The Gurkhas' stall at the bazar was the noisiest, for the men were engaged—to a nasty noise as of beef being cut on the block—with the kukri which they preferred to the bayonet; well knowing how the Afghan hates the half-moon blade.
As the Afghans wavered, the green standards on the mountain moved down to assist them in a last rally. Which was unwise. The Lancers chafing in the right gorge hail thrice despatched their only subaltern as galloper to report on the progress of affairs.
Source: Wikisource

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