Ruth Cranston

Ruth Cranston

Summary

Portrait of Ruth Cranston Ruth Cranston The unpretenders (1916)

Timothy’s gray eyes had bent a little closer upon Anne’s serene naturalness. “Do Michael and Doromea like her?”
“They have no time for her. They are too busy making up characters for the book.”
“I suppose you help at that, too——”
“I?” Anne’s blue gaze marvelled at him. “Oh, no—I am not clever enough to help Michael. Doromea is the only one who does that. Isn’t she pretty—Doromea?”
“Yes,” said Timothy, so fulsomely that any woman would have known at once. “But I wish she would stop being clever,” he added, after a minute.
“Men always want wives who are not clever, don’t they?”
Source: Gutenberg

Portrait of Ruth Cranston Ruth Cranston The unpretenders (1916)

Doromea sat close to the box rail, and when once in a while she came to, stole a second to look at Timothy, whose eyes were round and sending out little sparks behind his glasses. Knollys and Ellen sat on the edge of their chairs, oblivious{100} even of each other. But in the back of the box was a man who paid the deepest attention of them all; who watched the stage with only less interest than he ordinarily watched Sheila. His big thumbs held a book, which he followed closely as he followed the play; a conscientious creature, Hawley, though perhaps not like Warren, or Knollys, or Timothy.
Source: Gutenberg

Portrait of Ruth Cranston Ruth Cranston The unpretenders (1916)

PIX—PURELY A PHILANTHROPIST “Don’t be so lazy,” said Kent, “get something to do.”
“I have something to do,” said Pix; “I’m a philanthropist.”
“That’s what I mean;—get an occupation.”
“My dear boy,” reproachfully Pix looked at him, “don’t say unnecessary things. You know I was educated for the position of an English gentleman; though my brains in the first place weren’t half bad. Besides, I make a very good philanthropist.”
“So does anybody.”
“Who’s rich enough,” added Pix, lighting another pipe. “One can make quite exhaustive use of being rich, d’ye know, Chalmers?
Source: Gutenberg

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