Summary

Portrait of Saki Saki The Chronicles of Clovis

Crefton was glad when he found himself out of earshot, in the quiet and seclusion of the deep overgrown lanes that seemed to lead away to nowhere; one, narrower and deeper than the rest, attracted his footsteps, and he was almost annoyed when he found that it really did act as a miniature roadway to a human dwelling. A forlorn-looking cottage with a scrap of ill-tended cabbage garden and a few aged apple trees stood at an angle where a swift flowing stream widened out for a space into a decent sized pond before hurrying away again through the willows that had checked its course.
Source: Gutenberg

Portrait of Saki Saki The Chronicles of Clovis (1912)

At a bend of the road he caught a last glimpse of the farm; the old gabled roofs and thatched barns, the straggling orchard, and the medlar-tree, with its wooden seat, stood out with an almost spectral clearness in the early morning light, and over it all brooded that air of magic possession which Crefton had once mistaken for peace.
The bustle and roar of Paddington Station smote on his ears with a welcome protective greeting.
"Very bad for our nerves, all this rush and hurry," said a fellow-traveller; "give me the peace and quiet of the country."
Source: Wikisource

Portrait of Saki Saki The Chronicles of Clovis

For the first time for many months he began to hum a careless lighthearted refrain. Then there stepped out from the shadow of an overhanging oak tree a man with a gun. There was no need to wonder who he might be; the moonlight falling on his white set face revealed a glare of human hate such as Stoner in the ups and downs of his wanderings had never seen before. He sprang aside in a wild effort to break through the hedge that bordered the lane, but the tough branches held him fast. The hounds of Fate had waited for him in those narrow lanes, and this time they were not to be denied.
Source: Gutenberg

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