Summary

Portrait of Saki Saki The Toys of Peace, and Other Papers

There was an air of cold splendour and elaborate failure about the wares that were set out in its ample windows; they were the sort of toys that a tired shop-assistant displays and explains at Christmas time to exclamatory parents and bored, silent children. The animal toys looked more like natural history models than the comfortable, sympathetic companions that one would wish, at a certain age, to take to bed with one, and to smuggle into the bath-room. The mechanical toys incessantly did things that no one could want a toy to do more than a half a dozen times in its lifetime
Source: Gutenberg

Portrait of Saki Saki The Toys of Peace, and Other Papers

Laurence was not a fighting man; the fear of physical violence threw him off his balance as completely as overmastering indignation had thrown Tom off his, and thus it came to pass that Clover Fairy was regaled with the unprecedented sight of a human being scudding and squawking across the enclosure, like the hen that would persist in trying to establish a nesting-place in the manger. In another crowded happy moment the bull was trying to jerk Laurence over his left shoulder, to prod him in the ribs while still in the air, and to kneel on him when he reached the ground.
Source: Gutenberg

Portrait of Saki Saki The Toys of Peace, and Other Papers

Cushat-Prinkly detested the whole system of afternoon tea. According to his theory of life a woman should lie on a divan or couch, talking with incomparable charm or looking unutterable thoughts, or merely silent as a thing to be looked on, and from behind a silken curtain a small Nubian page should silently bring in a tray with cups and dainties, to be accepted silently, as a matter of course, without drawn-out chatter about cream and sugar and hot water. If one’s soul was really enslaved at one’s mistress’s feet how could one talk coherently about weakened tea?
Source: Gutenberg

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