Sir James Galloway

Summary

Sir James Galloway Historical sketches of old Charing (1914)

His father, Henry III, however much he failed as a ruler in an age when the power of the King was the main factor of good government, was an enthusiastic lover of art and a patron of artists. It was during the reign of Henry, and largely owing to his influence, that perhaps the most remarkable development of Early English architecture took place. His principal work, to which he gave himself with the utmost devotion, and, indeed, with little consideration of other and more important duties, was the rebuilding and decorating of the Abbey Church at Westminster.
Source: Gutenberg

Sir James Galloway Historical sketches of old Charing (1914)

Eleanor journeys to the Holy Land with Edward. There must have been, therefore, a great sense of relief to many within the land when, in the year 1270, Edward, having taken the Cross, entrusted his children and all his possessions to his uncle Richard and departed to join the French King on crusade to the Holy Land. The dangers from pestilence and sword besetting such expeditions to the East were perfectly well understood—repeated and painful experience had brought them home to all, both of high and of low degree.
Source: Gutenberg

Sir James Galloway Historical sketches of old Charing (1914)

The cross at Charing was completed in the year 1294, and the brethren no doubt at this time had many opportunities of conversing with the artists and handicraftsmen who formed the very flourishing and remarkable school of art at Westminster, and who were so enthusiastically encouraged both by Henry III and his son Edward. It is quite possible that the Chapel of the Convent may have benefited by the advice, or even by the workmanship of Alexander “the Imaginator,” of Abingdon, and William de Ireland, whose artistic handiwork formed so prominent a feature of the Eleanor Crosses.
Source: Gutenberg

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