Summary

Solon Robinson Hot corn: Life Scenes in New York Illustrated

Athalia wore not unwomanly rags at the period when I shall commence her history. She was clad in the garb of a country girl, just arrived in the city, in the full expectation that fortune awaited her, just as soon as she could learn the trade of a dress-maker. Oh, how she worked, and laughed, and sung! She was the life of the shop. Sometimes she thought of home—home where mother was—and then she wept. But the sunshine of youth soon sends the clouds and dew drops that dim the eye away to forgetfulness.
Source: Gutenberg

Solon Robinson Hot corn: Life Scenes in New York Illustrated

I did not forget to look, as I passed along, at the rose bush which I saw planted by a widow at the grave of her rum-murdered husband. It was growing fresh and vigorously.
Now we stand around the open grave that is soon to be filled by another victim of a trade that feeds scores and starves millions—that saves one life and causes a thousand deaths—that consigns youth, innocence and beauty, equally with old age, to a premature grave. Now we lower this last victim—still young, beautiful, intelligent, full of sweetness of disposition and kindness of heart—into her grave.
Source: Gutenberg

Solon Robinson Hot corn: Life Scenes in New York Illustrated

How can she protect the helpless with her feeble strength, against the brutal force of rum crazed men and vicious boys, who shout, "drag her out, drag her out."
Will they do it? They heed not the appealing look of their victim—their object of sport—fun—fun for them, death to her. They heed not the appealing words of her who would protect. God help you, poor soul, you have drank wine—you are drunk in the streets at midnight—you have none but those who are as weak as yourself, to save you, poor, timid, stricken fawn.
Source: Gutenberg

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