Summary

Standish O'Grady Early Bardic Literature, Ireland

Irishmen are often taunted with the fact that their history is yet unwritten, but that the Irish, as a nation, have been careless of their past is refuted by the facts which I have mentioned. A people who alone in Europe preserved, not in dry chronicles alone, but illuminated and adorned with all that fancy could suggest in ballad, and tale, and rude epic, the history of the mound-raising period, are not justly liable to this taunt. Until very modern times, history was the one absorbing pursuit of the Irish secular intellect, the delight of the noble, and the solace of the vile.
Source: Gutenberg

Standish O'Grady Early Bardic Literature, Ireland

London is the headquarters of the intellectualism and of the literary and historical culture of the Empire. It is the sole dispenser of fame. It alone influences the mind of the country and guides thought and sentiment. It can make and mar reputations. What it scorns or ignores, the world, too, ignores and scorns. How then has the native literature of Ireland been treated by the representatives of English scholarship and literary culture? Mr. Carlyle is the first man of letters of the day, his the highest name as a critic upon, and historian of, the past life of Europe.
Source: Gutenberg

Standish O'Grady Early Bardic Literature, Ireland

A noble literature indeed it is, having too this strange interest, that though mainly characterised by a great plainness and simplicity of thought, and, in the earlier stages, of expression, we feel, oftentimes, a sudden weirdness, a strange glamour shoots across the poem when the tale seems to open for a moment into mysterious depths, druidic secrets veiled by time, unsunned caves of thought, indicating a still deeper range of feeling, a still lower and wider reach of imagination.
Source: Gutenberg

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