Summary

T. P. O'Connor Sketches in the House: The Story of a Memorable Session…

We go through the lobbies in eight more successive divisions. It is the dreariest performance. "That Clause so-and-so stand part of the Bill," says the Chairman. A shout of "Ayes!" followed by a shout of "Noes!"—then a cry of "Division!"—then the same thing over again—and again—and again. We stand at 85 majority in nearly every division. But we don't cheer, for it is too monotonous; and as for the poor Tories—where be the wild shouts of "Gag, gag!" with which they rent the general air—their hoarse cries of "Shame, shame"—their open and foul taunts in the face of the G.O.M.?
Source: Gutenberg

T. P. O'Connor Sketches in the House: The Story of a Memorable Session…

For when you interfere with the private member, you suddenly come in collision with a vast number of personal vanities, and when you touch anything in the shape of personal vanity in politics you have got into a hornet's nest, the multitudinousness, the pettiness, the malignity, the unexpectedness of which you can never appreciate. I sometimes gaze upon the House of Commons in a certain semi-detached spirit, and I ask myself if there be any place in the whole world where you can see so much of the mean as well as of the loftiest passions of human nature as in a legislative assembly.
Source: Gutenberg

T. P. O'Connor Sketches in the House: The Story of a Memorable Session…

There is nothing which becomes that assembly so much as those moments of exaltation during which it is under the absolute spell of some great master of its emotions. Then a death-like stillness falls upon it—you can almost hear the same heavy-drawn sighs as those that in a Paris opera-house tell of all the passion, the flood of memory and regret, and the dreams which are evoked by the voice of a Marguerite before her final expiation—of a Juliet before her final immolation. Laughter and cheers there were in abundance during this portion of Mr. Gladstone's speech
Source: Gutenberg

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