Summary

Portrait of T. S. Eliot T. S. Eliot The Sacred Wood — Notes on the Blank Verse of Christopher Marlowe (1920)

Every writer who has written any blank verse worth saving has produced particular tones which his verse and no other's is capable of rendering; and we should keep this in mind when we talk about "influences" and "indebtedness." Shakespeare is "universal" (if you like) because he has more of these tones than anyone else; but they are all out of the one man; one man cannot be more than one man
Source: Wikisource

Portrait of T. S. Eliot T. S. Eliot The Sacred Wood — Notes on the Blank Verse of Christopher Marlowe (1920)

A MORE friendly critic, Mr. A. C. Swinburne, observes of this poet that "the father of English tragedy and the creator of English blank verse was therefore also the teacher and the guide of Shakespeare." In this sentence there are two misleading assumptions and two misleading conclusions. Kyd has as good a title to the first honour as Marlowe; Surrey has a better title to the second; and Shakespeare was not taught or guided by one of his predecessors or contemporaries alone.
Source: Wikisource

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