Blank verse

“ BLANK-VERSE, n. Unrhymed iambic pentameters -- the most difficult kind of English verse to write acceptably; a kind, therefore, much affected by those who cannot acceptably write any kind. ”

“ Blank verse, said an ingenious critick, seems to be verse only to the eye. ”

“ This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope." (Blank Verse, pp. 16, 17.)
"It seems adapted specially for thought in evolution; it requires progression and sustained effort. As a consequence of this, its melody is determined by the sense which it contains, and depends more upon proportion and harmony of sounds than upon recurrences and regularities of structure.... Another point about blank verse is that it admits of no mediocrity ”

“ His next work is the translation of the Art of Poetry; which has received, in my opinion, not less praise than it deserves. Blank verse, left merely to its numbers, has little operation on the ear or mind: it can hardly support itself without bold figures and striking images. A poem frigidly didactick, without rhyme, is so near to prose, that the reader only scorns it for pretending to be verse. ”

“ Only in dramatic literature do we find the devastating tradition of blank verse still lingering, giving factitious prestige to the platitudes of dullards, and robbing the dramatic style of the genuine poet of its full natural endowment of variety, force and simplicity. ”

“ This type of blank verse has founded a tradition in English; it has often been imitated and modified, but never [166] paralleled. It lacks the suppleness of the Shakespearian measure; but it is instinct with beauty and scholarly care. It is almost infinite in modulation; varied cunningly in scansion, in pause, in cadence, and in sonorous dignity of music. It has its lapses into wordiness and bombast, but the lapses are few indeed.
In the following extract the construction of the blank verse should be carefully observed. The variation of foot, pause, and melody is worthy of the closest study. ”

“ The poetry is admirable in its kind—intentionally charged, to raise it to the second stage-level, above the blank verse, that is, of the drama in which it is set, as that blank verse is raised above the ordinary level of speech. ”

“ There is nothing to tell you the writer has made "prose"—as the spacing and the capital letters invite you to look for poetry. He has to depend only upon himself. This is why blank verse—which approaches prose most nearly—is so much more difficult to write than rhymed verse, though it looks so much easier and more tempting to the amateur. ”

“ He that thinks himself capable of astonishing may write blank verse; but those that hope only to please must condescend to rhyme. ”

“ The inspired phraseology, the wealth and flexibility of vocabulary, and the general bloom of the style pass into the lightness of fancy and the tinkling unsubstantial verse of the nature of Campion’s. Or the high seriousness degenerates into the gloomy manner of the Websterian tragedy. The handling of blank verse is typical of the movement. The sinewy Shakesperian blank verse becomes nerveless; in drama prose is commoner in quantity and coarser in fiber. In the lyric much of the old technical dexterity survives, but the deeper qualities of passion and sincerity are less common and robust. ”

“ Again an advance may be observed, not only in the conduct of the plot, which moves artistically on an altogether different level, and even succeeds in arousing some dramatic interest, but likewise in the verse, which has a freer movement, and is on the whole less marred by the over-emphatic repetition of words and phrases in consecutive lines, a particularly irritating trick of the author's pastoral style, or by the monotonous cadence and painful padding of the blank verse. ”

“ It will be seen, that he combined with his rhymes much of the freedom and force of blank verse. He never allows the absence of good strong sense nor the presence of unmeaning or useless words in order to make out the rhyme. ”

“ In ordinary speech we arrive at a certain harmony by the modulations of voice: in poetry the same thing is done systematically by a regular collocation of syllables. It has been well observed, that every one who declaims warmly, or grows intent upon a subject, rises into a sort of blank verse or measured prose. ”

“ The turn of them should always be natural and easy, for they are an image of private and familiar conversation. I mention this with respect to the four or five first lines of yours, which have an air of poetry, and do therefore naturally resolve themselves into blank verses. I send you your letter again, that you may make the same observation. But you took the hint of that thought from a poem, and it is no wonder therefore, that you heightened the phrase a little when you were expressing it. ”

“ I might even say that the rhyme is there in the theme, thought, and image themselves. Ask the fact for the form. For a verse is not a vehicle to carry a sentence as a jewel is carried in a case: the verse must be alive, and inseparable from its contents, as the soul of man inspires and directs the body; and we measure the inspiration by the music. In reading prose, I am sensitive as soon as a sentence drags; but in poetry, as soon as one word drags. Ever as the thought mounts, the expression mounts. ”

“ It has been the unfortunate habit of most of our poets, and especially of those we have been specially criticizing in this article, to use Verse as the vehicle of whatever thoughts are too thin or too fantastic, too much of the sweet-pea order of products, to stand without the aid of rhythmical props. Ideas too bald for prose, too trivial to stand unadorned, appear unique enough when subjected to the euphuistic process, and robed in all the wordy glitter of rhyme. ”

“ Latterly two voices have come to me, one affirming that I was right in my prejudice that all durable verse should have content as well as form, should have meaning as well as sound—though in closest union with the sound,—that, in short, the poet should be a thinker as well as a craftsman; an emotional thinker, of course, if that term be permitted, but not a mere clairaudient wielder of words. And then I heard a voice which bid me forget all that and list to
Long breaths, in a green and yellow din. ”

“ When a man forgot a verse, he would make something to take its place. A more or less appropriate stanza from another ballad would slip in; or the reciter would tell in prose the matter of which he forgot the versified form. ”

“ Their breath delights us, their suggestions, their reflections of a Divinity that is above them, lifts us—God knows why! The cry of pain, the romping laugh of children at play, the pathos of death, the touch of the hand or the lips of the one we love needs no argument to fill the heart with uncontrollable emotion. [92] These are the sweetest of the poet’s themes, and he has but to reveal them without argument as they are experienced in the heart. Argument kills them. Just in proportion to the didactic character of verse the path of poetry is departed from, and the realm of prose invaded. ”

“ To marre the subiect that before was well,
For to no other passe my verses tend,
Then of your graces and your gifts to tell.
And more, much more then in my verse can sit,
Your owne glasse showes you, when you looke in it. ”

“ Zoe Montrose to Francis Hume
Do not write verse until you fail to express yourself in prose. Verse should glide full-winged over the surface of the waters where the spirit of God lies sleeping. It should deal carelessly with poor things like prepositions and pronouns. They are but the spray-bubbles beaten back by its wings. Your smaller words are staffs falling as regularly and heavily as a tread on a board walk. Your phrases march; they do not fly. ”

“ There are two veils of language, hid beneath Whose sheltering folds, we dare to be ourselves; And not that other self which nods and smiles And babbles in our name; the one is Prayer, Lending its licensed freedom to the tongue That tells our sorrows and our sins to Heaven; The other, Verse, that throws its spangled web Around our naked speech and makes it bold. I, whose best prayer is silence; sitting dumb In the great temple where I nightly serve Him who is throned in light, have dared to claim The poet's franchise, though I may not hope To wear his garland ”

“ The more a poet rids his verses of heterogeneous knowledge and irrelevant analysis, and purifies his mind with elaborate art, the more does the little ritual of his verse resemble the great ritual of Nature, and become mysterious and inscrutable. ”

“ Language, which in prose does little more than transmit thought, like clear glass, becomes—even as that becomes—by art's adjustments and the moulding of measured form, a lens, where the thought takes fire as it passes. The poet speaks through a medium which seems to intensify the point and to extend the range of what he would tell us by some power outside his own volition. Such a power, in fact, a rhythmic order, in its fundamental appeal to human nerves, literally is.... The ictus of the verse comes upon us as the operative force which shocks the words into their unwonted life. ”

“ The accidents of form, such as rhyme, stanza, alliteration, etc., we find worthily and advantageously used in much true poetry, as well as worthlessly used in the tawdry puppet-shows of mere mechanicians;—those persons who, having nothing to say, yet attempting to say something, mistake rhyme for sense, a tickling jingle for meaning, their desire to create for the creative power. ”

“ To make verse speak the language of prose without being prosaic—to marshal the words of it in such an order as they might naturally take in falling from the lips of an extemporary speaker, yet without meanness, harmoniously, elegantly, and without seeming to displace a syllable for the sake of the rhyme, is one of the most arduous tasks a poet can undertake. ”

“ One of the peculiarities of the stanza is the increased emphasis which the rime of the third verse receives from its proximity to that of the second; and this is noticeable both when there is a logical pause after the third verse and when there is none:
'Thou makest thine appeal to me:
I bring to life, I bring to death:
The spirit does but mean the breath:
I know no more.' And he, shall he.... ”

“ BEGINNING "'SAD IS MY VERSE,' YOU SAY, 'AND YET NO TEAR.'"
1.
Thy verse is "sad" enough, no doubt:
⁠A devilish deal more sad than witty!
Why we should weep I can't find out,
⁠Unless for thee we weep in pity. ”

“ Whatever is rhythmical and metrical, whether it has any of the accidents of form or not, is verse. Hence, all poetry is verse, but not all verse is poetry. Indeed, not one ten-thousandth part of verse is poetry; for the requisite of verse is simply form,—the body into which the spirit must enter ere it becomes poetry. ”

“ Now, if these lines were written in prose, the words would stand in the following order: "O my God! when my rising soul surveys all thy mercies, I'm transported with the view of them, and lost in wonder, love and praise."
16. And now that I have explained to you a few of the points in which verse differs from prose, I will only add, that when you read verse, you must not stop at the end of every line, unless there is a pause or mark there; and that you must avoid reading it as if you were singing it to a tune. [Pg 121]
LESSON XXXII. God Present Everywhere. ”

“ The adventitious beauty of poetry may be felt in the greater delight which a verse gives in happy quotation than in the poem. ”

“ Canst thou copy in verse one chime Of the wood-bell's peal and cry, Write in a book the morning's prime, Or match with words that tender sky? Wonderful verse of the gods, Of one import, of varied tone; They chant the bliss of their abodes To man imprisoned in his own. Ever the words of the gods resound; But the porches of man's ear Seldom in this low life's round Are unsealed that he may hear. ”

“ Verse is nothing more than cold, rational prose, a species of superior conversation measured off into lengths, and fringed with rhyme; the form predominates over the matter; the ostentatious exterior is the mask to impoverished, colourless ideas. ”

“ The awful thing about nonsense verse is the very fine line that divides a masterpiece from utter drivel. Nonsense verse is very good or very bad. When it plays along the edges it is very pleasing but when it oversteps it becomes rot. ”

“ The blank, which is only a forgotten life, lying behind the consciousness, and the misty splendour, which is an undeveloped life, lying before it, may be full of mysterious revelations of other connexions with the worlds around us, than those of science and poetry. No shining belt or gleaming moon, no red and green glory in a self-encircling twin-star, but has a relation with the hidden things of a man’s soul, and, it may be, with the secret history of his body as well. ”

“ Are moaning forever wherever they glide;
Ask them what ails them: they will not reply.
On — sad voiced — they flow, but they never tell why.
Why does your poetry sound like a sigh?
Earth's streams will not answer you; neither shall I.
Go list to the voices of air, earth and sea,
And the voices that sound in the sky;
Their songs may be joyful to some, but to me
There's a sigh in each chord and a sigh in each key,
And thousands of sighs swell their grand melody.
Ask them what ails them: they will not reply.
They sigh — sigh forever — but never tell why. ”

“ Walk through the world with your eyes and ears closed, and embody the negative results in a story or a poem. As to Poetry, with a fine instinct we generally begin by writing verse, because verse is the last thing that the public want to read. ”

“ Poetry, in its complete sympathy with beauty, must of necessity leave no sense of the beautiful, and no power over its forms, unmanifested; and verse flows as inevitably from this condition of its integrity as other laws of proportion do from any other kind of embodiment of beauty.... ”