T. S. Stribling

T. S. Stribling

Summary

Portrait of T. S. Stribling T. S. Stribling,  Fombombo

“ Strawbridge gasped and sat upright. The soldier in the sunshine, with his carbine making a little circle under his right eye, focused the drummer's attention so rigidly that for several moments he could not see anything else. Then he became aware that they had come out upon the canal construction, and that a most extraordinary army of shocking red figures were trailing up and down the sides of the big cut in the sand, like an army of ants. Every worker bore a basket on his head, and his legs were chained together so he could take a step of only medium length. ”
Source: Gutenberg

Portrait of T. S. Stribling T. S. Stribling,  Fombombo

“ Always at the end of the plaza stood a charming old Spanish church, looking centuries old, with its stuccoed front, its solid brick campanile pierced by three apertures in which, silhouetted against the sky, hung the bells. In each village the church was the focus of life. And the only sign of animation here was the ringing of the carillon for the different offices. The bell-ringings occurred endlessly, and were quite different from the tolling which Strawbridge was accustomed to hear in North America. The priests rang their bells with the clangor of a fire-alarm. ”
Source: Gutenberg

Portrait of T. S. Stribling T. S. Stribling,  Fombombo

“ As the motor whirled cityward, the bull-fighter sat with both hands gripping the front seat, staring intently as the wedding music of the peons came to them, with its long-drawn, melancholy burden.
Strawbridge leaned back, listening and looking. He was still thinking about the play in New York and regretting the fact that in real life one never saw any such dramatic openings. In real life it was always just work, work, work—going after an order, or collecting a bill—never any drama or romance, just dull, prosy, commonplace business ...
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Source: Gutenberg

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