“ But the key to this enfranchisement of body, mind, and circumstances is in that new thought which becomes creative of new conditions, because it realizes the true order of the creative process. Therefore it is that, if we would bring a new order of Life, Light, and Liberty into our lives we must commence by bringing a new order into our thought, and find in ourselves the starting point of a new creative series, not by the force of personal will, but by union with the Divine Spirit, which in the expression of its inherent Love and Beauty, makes all things new. ”
T. Troward
Summary
T. Troward’s The Doré Lectures explores the creative process as a spiritual and mental phenomenon, highlighting the individual’s attunement to the Divine Spirit in order to bring forth new realities. Central themes include the unity of the Universal and the Individual, the transformative force of thought, and the principle of creative law, with frequent allusions to Alpha and Omega as symbols of completeness.
Through ideas such as “Love and Beauty” and the “inherent Spirit,” Troward contends that personal enlightenment emerges from understanding one’s role as a channel for universal creativity, surpassing limitation through harmonious connection with the Divine.
Quotes from The Doré Lectures (T. Troward)
“ The thought of the author, the impression of the painter, the feeling of the musician, is that without which their works could never have come into being, and so it is only as we enter into the IDEA which gives rise to the work, that we can derive all the enjoyment and benefit from it which it is able to bestow. If we cannot enter into the Spirit of it, the book, the picture, the music, are meaningless to us: to appreciate them we must share the mental attitude of their creator. This is a universal principle; if we do not enter into the Spirit of a thing, it is dead so far as we are concerned ”
“ May we not apply the same principle to the Greater Creative Mind with which we are seeking to deal? There is something in the work of the artist which is akin to that of original creation. His work, literary, musical, or graphic is original creation on a miniature scale, and in this it differs from that of the engineer, which is constructive, or that of the scientist which is analytical; for the artist in a sense creates something out of nothing, and therefore starts from the stand-point of simple feeling, and not from that of a pre-existing necessity. ”
