Summary

Portrait of Thomas De Quincey Thomas De Quincey Confessions of an English Opium-Eater

Oh, just, subtle, and mighty opium! that to the hearts of poor and rich alike, for the wounds that will never heal, and for “the pangs that tempt the spirit to rebel,” bringest an assuaging balm; eloquent opium! that with thy potent rhetoric stealest away the purposes of wrath; and to the guilty man for one night givest back the hopes of his youth, and hands washed pure from blood; and to the proud man a brief oblivion for “Wrongs undress’d and insults unavenged;” that summonest to the chancery of dreams, for the triumphs of suffering innocence, false witnesses
Source: Gutenberg

Portrait of Thomas De Quincey Thomas De Quincey Confessions of an English Opium-Eater (1823)

Thus I have shown that opium does not, of necessity, produce inactivity or torpor; but that, on the contrary, it often led me into markets and theatres. Yet, in candour, I will admit that markets and theatres are not the appropriate haunts of the opium-eater, when in the divinest state incident to his enjoyment. In that state, crowds become an oppression to him; music even, too sensual and gross. He naturally seeks solitude and silence, as indispensable conditions of those trances, or profoundest reveries, which are the crown and consummation of what opium can do for human nature.
Source: Wikisource

Portrait of Thomas De Quincey Thomas De Quincey Confessions of an English Opium-Eater

If the public (into whose private ear I am confidentially whispering my confessions, and not into any painter’s) should chance to have framed some agreeable picture for itself of the Opium-eater’s exterior, should have ascribed to him, romantically an elegant person or a handsome face, why should I barbarously tear from it so pleasing a delusion—pleasing both to the public and to me? No; paint me, if at all, according to your own fancy, and as a painter’s fancy should teem with beautiful creations, I cannot fail in that way to be a gainer.
Source: Gutenberg

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