Willa Cather

Willa Cather

Summary

Portrait of Willa Cather Willa Cather,  Alexander's Bridge

“ Lord Westmere stroked his long white mustache with his bloodless hand and looked at Alexander blankly. Hilda was a good story-teller. She was sitting on the edge of her chair, as if she had alighted there for a moment only. Her primrose satin gown seemed like a soft sheath for her slender, supple figure, and its delicate color suited her white Irish skin and brown hair. Whatever she wore, people felt the charm of her active, girlish body with its slender hips and quick, eager shoulders. Alexander heard little of the story, but he watched Hilda intently. ”
Source: Gutenberg

Portrait of Willa Cather Willa Cather,  Alexander's Bridge

“ BOSTON, February —
MY DEAR HILDA:—
It is after twelve o’clock. Every one else is in bed and I am sitting alone in my study. I have been happier in this room than anywhere else in the world. Happiness like that makes one insolent. I used to think these four walls could stand against anything. And now I scarcely know myself here. Now I know that no one can build his security upon the nobleness of another person. Two people, when they love each other, grow alike in their tastes and habits and pride, but their moral natures (whatever we may mean by that canting expression) are never welded.
”
Source: Gutenberg

Portrait of Willa Cather Willa Cather,  Alexander's Bridge

“ He had not been inside the Museum, actually, since he and Hilda used to meet there; sometimes to set out for gay adventures at Twickenham or Richmond, sometimes to linger about the place for a while and to ponder by Lord Elgin’s marbles upon the lastingness of some things, or, in the mummy room, upon the awful brevity of others. Since then Bartley had always thought of the British Museum as the ultimate repository of mortality, where all the dead things in the world were assembled to make one’s hour of youth the more precious. ”
Source: Gutenberg

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