Thorp McClusky

Summary

Thorp McClusky The Thing on the Floor (1938)

Across the long expanse of this almost flamboyantly oriental downstairs room in which Dmitri's guests had assembled she saw the man. He was seated in a massive, ivory-armed, dragon-footed chair, and he was talking to a group of three or four women. But he was looking beyond them, speculatively, at Mary.
"Helen, I'm afraid of him. He's—he's evil—blasphemous!"
Helen Stacey-Forbes only laughed. "Blasphemous?" she echoed. "Nonsense! He's only years ahead of his time. Never fear—his interest in you will vanish as soon as he learns that you can't pay his outrageous fees."
Source: Wikisource

Thorp McClusky The Thing on the Floor (1938)

For Peters knew that Dmitri had instilled into the subconscious of his victims the belief that he was infallible, the belief that he was a kind of god, protecting them, shielding them, curing them of their ills. But now the man-god was dead, and, of necessity, in each of his dupes the blind, limitless sea of the subconscious was rejecting the theories he had taught, spewing out his broken image, obliterating him, in disillusionment.
Source: Wikisource

Thorp McClusky The Thing on the Floor (1938)

And, as the eyes of Ethredge and Peters grew accustomed to the increased illumination within the room, the two men felt their bloodflow pause, then run like ice-water in their veins.
For Mary Roberts had toppled from her chair, and now lay weirdly, unnaturally sprawled on the naked floor beside Dmitri's table, her spine bent backward like a tight-drawn bow, the slender heels of her tiny shoes nearly touching her chestnut hair beneath her chic little hat, her throat and jaw muscles stretched like oversharp violin strings, her teeth and pink gums bared in a ghastly grin.
Source: Wikisource

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