Summary

Various Encyclopaedia Britannica, 11th Edition…

Women’s dress in this 18th century is dominated by the hoop-petticoat which Sir Roger de Coverley recognizes in 1711 as a new fashion and an old one revived. A stiff bodice laced in front, a gown, with short and wide-ended sleeves, gathered up in folds above the petticoat, a laced apron and a lace cap with hanging lappets, is the dress of the century’s beginning. So the women of fashion are compared with children in go-carts, their tight-laced waists rising from vast bells of petticoats over which the gown is looped up like a drawn curtain.
Source: Gutenberg

Various Encyclopaedia Britannica, 11th Edition…

Men and women of rank wear a twisted garland of rich stuff, crown-wise on the head, set with pearls and precious stones, a fashion which is followed on the great helm of the knights, being the “wreath” or “torce” of heraldry. The dames of such as wear the cote-hardie imitate its tightness in the sleeves and bodices of their long gown. A curious fashion which now begins is the sleeveless upper gown whose sides are cut away in curved sweeps from the shoulder to below the waist, the edges of the opening being deeply furred.
Source: Gutenberg

Various Encyclopaedia Britannica, 11th Edition…

Short waists came in soon after 1790, the bodice ending under the arm pits, “a petticoat tied round the neck: the arms put through the pocket-holes.” With these French gowns came small coal-scuttle-shaped bonnets of straw, hung with many ribbons and decorated with feathers. At last the woman of fashion, dressed by a Parisian modiste after the orders of David the painter, gathered her hair in a fillet and clothed herself in little more than a diaphanous tunic gown over a light shift and close, flesh-coloured drawers. Her shoes became sandals: her jewels followed the patterns of old Rome.
Source: Gutenberg

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