Summary

Various Punch, or the London Charivari…

Why, then, does he choose a moment when everybody is looking to run in wildly and disturb every bird in the field? Or why, when you have sent him in pursuit of a runner, does he lie down and pant, while the keeper's dog, a tangled door-mat of the poodle species, solidly, and without ostentation, tracks down the wounded bird, and finally deposits it at the keeper's feet, just as you are assuring everybody that there is not a vestige of scent, and that no dog could possibly be expected to work in such weather.
Source: Gutenberg

Various Punch, or the London Charivari…

Pat Campbell's Juliet takes the poison, but not the cake. Her Juliet has over her the shadow of Paula Tanqueray. From the commencement, except in the Balcony scene, she is a Juliet "with a past." The balcony and the moonlight suit this Juliet. Good, too, is she when, abjectly miserable, she crumples herself up all in a heap, like the victim in a picture of Japanese torture, so that at any moment, without surprising the spectator, she might turn heels over head and straighten herself out at the feet of the irascible old Capulet.
Source: Gutenberg

Various Punch, or the London Charivari…

If Grasshopper labour-spurts starve the poor Ant.
If well-to-do woman work helps to spread want,
This new-born blind zeal sense should bridle.
There's fit work for all, some with spade, some with tabor;
But Madam, if feminine "playing at Labour,"
Whilst needless to you, wrecks one workwoman neighbour,
By Jove, you had better be idle!
[A] "In every branch of work we see well-to-do women crowding into the ranks of competition, in consequence of which wages are lowered, and women who really want work are left to starve."
Source: Gutenberg

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