Summary

Various The Mirror of Literature, Amusement…

We behold the catastrophe afar off with scarcely a wish to avert it. Romeo and Juliet must die: their destiny is fulfilled: they have quaffed off the cup of life, with all its infinite of joys and agonies, in one intoxicating draught. What have they to do more upon this earth? Young, innocent, loving, and beloved, they descend together into the tomb: but Shakspeare has made that tomb a shrine of martyred and sainted affection consecrated for the worship of all hearts,—not a dark charnel vault, haunted by spectres of pain, rage, and desperation.
Source: Gutenberg

Various The Mirror of Literature, Amusement…

What a false idea would any thing of the mere whining amoroso, give us of Romeo, such as he is really in Shakspeare—the noble, gallant, ardent, brave, and witty! And Juliet—with even less truth could the phrase or idea apply to her! The picture in "Twelfth Night" of the wan girl dying of love, "who pined in thought, and with a green and yellow melancholy," would never surely occur to us, when thinking on the enamoured and impassioned Juliet, in whose bosom love keeps a fiery vigil, kindling tenderness into enthusiasm, enthusiasm into passion, passion into heroism!
Source: Gutenberg

Various The Mirror of Literature, Amusement…

The poetry, too, the richest that can possibly be conceived, is interfused through all the characters; the splendid imagery lavished upon all with the careless prodigality of genius, and all is lighted up into such a sunny brilliance of effect, as though Shakspeare had really transported himself into Italy, and had drunk to intoxication of her genial atmosphere. How truly it has been said, that "although Romeo and Juliet are in love, they are not love-sick!"
Source: Gutenberg

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