“ Note the simplicity and dignity of the choir. Note also the peculiar character of the vaulting, comparing it with the later type at Notre-Dame, and especially with the reversion to much the same form in Renaissance times at St. Étienne-du-Mont, and St. Eustache. In spite of its newness, much of the modern decorative work is extremely effective; indeed, as a specimen of almost complete internal decoration, this church, notwithstanding the cruel overlaying of its early Romanesque sculpture by gold and paint, is perhaps the most satisfactory of any in Paris, except the Sainte Chapelle. ”
Chapelle
Definition and stakes
Quotes about “chapelle”
Lucia True Ames Mead,
Milton's England
“ Before marching from the oration hall to chapel, the stewards of the day’s dinner, according to the old-fashioned rite, have wands in their hands, walk to church at the head of the procession, and sit in places of honour. The boys are already on their seats with smug fresh faces and shining white collars; the old black-gowned pensioners are on their benches, the chapel is lighted, the founder’s tomb, with its grotesque [Pg 207] carvings, monsters, heraldries, darkles and shines with the most wonderful lights and shadows. ”
William Morris,
The World of Romance
“ From one of the streets leading out of the Place Royale you can see the cathedral, and as you come nearer you see that it is clear enough of houses or such like things; the great apse rises over you, with its belt of eastern chapels; first the long slim windows of these chapels, which are each of them little apses, the Lady Chapel projecting a good way beyond the rest, and then, running under the cornice of the chapels and outer aisles all round the church, a cornice of great noble leaves ”
“ The beautiful light flèche or spire in the centre has been restored. Observe the graceful leaden angel, holding a cross, on the summit of the chevet or round apse. To see the façade, stand well back opposite it, when you can observe that the chapel is built in four main stories,—those, namely, of the Lower Church or crypt, of the Upper Church, of the great rose window (with later flamboyant tracery) , and of the gable-end, partially masked by an open parapet studded with the royal fleurs-de-lis of France. The Crown of Thorns surrounds the two pinnacles which flank the fourth story. ”
William Winter, Shakespeare's England
“ We embarked at Westminster Bridge and landed close by the church in Southwark, and we were so fortunate as to get permission to enter it without a guide. The oldest part of it is the Lady chapel—which, in English cathedrals, is almost invariably placed behind the choir. Through this we strolled, alone and in silence. Every footstep there falls upon a grave. The pavement is one mass of gravestones; and through the tall, stained windows of the chapel a solemn light pours in upon the sculptured names of men and women who have long been dust. ”
Edmondo De Amicis, Spain, v. 2 (of 2)
“ The great chapel in the middle of the principal nave, so high that it almost touches the roof, seems like a chapel built for giant priests, to whose knees the common altars would scarcely reach; the Easter candle seems like the mast of a ship, the bronze candlestick which supports it, like the pilaster of a church; the organs are like houses; the choir is a museum of sculpture and carving which alone deserves a day's study. ”
1911 Encyclopædia Britannica, Volume 5… (1911)
“ These are places of worship supplementary to a parish church, and may be either “chapels of ease,” to ease or relieve the mother-church and serve those parishioners who may live far away, “parochial chapels,” the “churches” of ancient divisions of a very large and widely scattered parish, or “district chapels,” those of a district of a parish divided under the various church building acts. A “free chapel” is one founded by the king and by his authority, and visited by him and not by the bishop. A “proprietary chapel” is one that belongs to a private person. ”
“ Throughout the Middle Ages it was the custom for the lord of the manor to reserve some portion of the church 124 for his own use, or to add to the building a chantry or chapel where his own chantry priest might pray daily for the salvation of his soul. These chapels are generally at the eastern ends of the aisles. You will know them by the handsome monuments which were raised over the graves of the founders, for these chapels were used as the burial-place of the founders and their families. ”
Toofie Lauder,
Legends and tales of the Harz Mountains
(1881)
“ They enter a large, brilliantly lighted, magnificent chapel; the walls are of marble; the altar is of beaten gold, and its eternal lamp bathes all in a wondrous light. The miner cannot gaze enough at the marvellous sight, crosses and recrosses himself; the monk kneels at the golden altar and says an Ave Maria. Then he rises, commands his companion to remain standing in the middle of the chapel, and approaches the door opposite the one by which they had entered. ”
A. Cleveland Coxe,
Impressions of England; or, Sketches of English Scenery and Society
“ But the church, with its elaborate chapels, of which nearly half the pillars are standing in their gracefulness, beggars description. Its floor is green turf, and its walls are hung with living tapestry; but it seems still a vast cathedral, and the more beautiful, for its heavenly vault, and its windows, opening in all their rich variety of form, bright glimpses of wood and sky. Everything is in keeping, and the whole is such an epitome of the monastic system as suggests alike its glory and its shame. ”
Maurice Leblanc,
The Hollow Needle; Further adventures of Arsène Lupin
“ The examining magistrate made the gardener, who had the key, open the chapel, a real gem of carving, a shrine in stone which had been respected by time and the revolutionaries, and which, with the delicate sculpture work of its porch and its miniature population of statuettes, was always looked upon as a marvelous specimen of the Norman-Gothic style. The chapel, which was very simple in the interior, with no other ornament than its marble altar, offered no hiding-place. ”
George Edmund Street,
George Edmund Street: Unpublished Notes and Reprinted Papers
“ The whole church has an open parapet and lofty buttresses, with rather small pinnacles. The view from the east is certainly very striking; and though the idea is completely that of a chapel, rather than of a more ambitious church, it is certainly one of the finest chapels of its size that I have ever seen. ”
1911 Encyclopædia Britannica (1911)
“ A splendid series of carved oak stalls lines each side of the nave and above them hang the banners of the Knights of the Bath, of whom this was the place of installation when the Order was reconstituted in 1725. The fan-traceried roof, with its carved stone pendants, is the most exquisite architectural feature of the chapel. The choir stalls in the body of the church are modern, as is the organ, a fine instrument with an “echo” attachment, electrically connected, in the triforium of the south transept. ”
Rose Georgina Kingsley, The Children of Westminster Abbey…
“ We make our way round, above the Confessor's Chapel, and see his coffin lying in his shrine. We pass great rooms where all sorts of débris from the building are kept—old oaken chairs, bits of stone carving, paraphernalia for the coronation or for any great ceremony. We walk under the painted glass windows that we have watched, shining like jewels at the end of the apse, when we are at service in the choir. Then comes another door, another narrow stair, and we find ourselves in the strangest place of all. We are on the roof of Henry the Seventh's chapel. ”
Various, The Catholic World, Vol. 03, April to September…
“ I do not know what impression it makes upon you, but the sight of that kneeling crowd of young men in their cassocks and winged surplices, absorbed in prayer before the altar at the early dawn of day, when the ray of the rising sun is just tinging the tops of the trees with a golden light, and the open windows of the little chapel admit the sound of warbled music of birds, and the sweet perfumes from the garden just below, enamelled with flowers, is to me a scene higher than earth often reveals to us of heaven's peace and rapt devotion in God. ”
Oliver Wendell Holmes Sr.,
The Professor at the Breakfast-Table
(1860)
“ The stranger who approaches it looks down a quiet street and sees the plainest of chapels,—a kind of wooden tent, that owes whatever grace it has to its pointed windows and the high, sharp roofs—traces, both, of that upward movement of ecclesiastical architecture which soared aloft in cathedral-spires, shooting into the sky as the spike of a flowering aloe from the cluster of broad, sharp-wedged leaves below. ”
“ Several of the chapels around this disappointing church, however, contain many good modern pictures: most of them also bear the names of the saints to whom they are dedicated, which largely aids the recognition of the symbolism. I enumerate a few of them for their interest in this matter. Right aisle (1) St. Agnes. Jacob and the angel: Heliodorus expelled from the Temple: by Delacroix. (2) Chapel of Souls in Purgatory. Religion brings comfort to the dying; benefit of prayers for the dead: by Heim. (3) Chapel of St. Roch, the plague saint. ”
Thos. D. Murphy, In Unfamiliar England
“ The chapel is a regularly constituted Church of England and services are held in it once a year. With all its crudeness, it serves as one of the milestones of the progress of a new order of things in Britain, and a space of only three centuries separates this poor little structure from the cathedrals!The youth who acted as guide led us into his cottage near at hand when we asked for picture cards of the chapel. His eyes brightened noticeably when he learned we were from America. “Ah,” said he, “I am going there next spring; my brother is already there and doing well. ”
Johann Wolfgang von Goethe,
The Works of J. W. von Goethe
(1901–1902)
“ And greet the holy chapel there! At once the whole seems clear and bright, Each ornament is bathed in light, And fraught with meaning to the sight. God's children! thus your fortune prize, Be edified, and feast your eyes! ”
William Beckford, Dreams, Waking Thoughts, and Incidents
“ Being neatly glazed, and free from paintings or Gothic ornaments, it allows a full blaze of light to dart on the chapel door; which is also adorned with marble, in a plain but noble style of architecture.The father sacristan stood ready on the steps of the portal to grant us admittance; and, throwing open the valves, we entered the chapel and were struck by the justness of its proportions, the simple majesty of the arched roof, and the mild solemn light, equally diffused over every part of the edifice. No tawdry ornaments, no glaring pictures, disgraced the sanctity of the place. ”
Fredrika Bremer,
Life in the Old World
(1860)
“ One foot is extended forward, and this is kissed by old and young, by all classes of the people who enter the church. The toes are in part worn away. The side chapels are splendid, and so large that they might serve for independent churches. The monuments and statues are numerous, but all are subordinate, or unite harmoniously with the large and beautiful proportions of the chief temple. ”
Various, The Catholic World, Vol. 20, October 1874‐March 1875
“ It makes a lasting impression upon whomsoever is admitted to familiar intercourse with any of these noble families to see all the members of the household devoutly assembled in the private chapel of the mansion, for the adornment of whose altars no expense has been spared, there to attend the Holy Sacrifice of the Mass; and in the evening to behold the father of the family, by ringing a bell, again summons them into the chapel for evening prayer and examen of conscience, at which the chaplain, but oftener the head of the house, be he old or young, performs the duty of reading the prayers. ”
Various, Catholic World, Vol. 24, October…
“ The whole church is a temple of art, with its sculptured altar, its bronze tabernacle, its rare paintings, its beautiful pillars of differently-colored marbles, and its rich windows of stained glass. Nothing could be more serene and calm than the atmosphere of this glorious church. Amid the sacred silence, the struggling light, with the grandest symbols of religion on every side, you feel lifted for a moment out of your own mean imprisonments into a very heaven of art and piety. ”
“ Rollo and Carlos had not gone far before they came to a place where two children had set up what they called a chapel, under the archway which led to the interior of the house where they lived. A real chapel, in Catholic countries, is any consecrated place, large or small, containing an altar, and a crucifix, and other sacred emblems, where masses are said and other religious services are performed. Real chapels are made in the alcoves of churches, in monuments over tombs, and in other similar places, and children have toy chapels to play with. ”
J. Alfred Gotch, The English Home from Charles I. to George IV (1918)
“ The chapel (Fig. 96) is interesting as an example of classic treatment applied to sacred purposes, and as one among the last survivals of the mediæval idea that it was necessary for a large house to have a chapel within it. In the days when a household might be cut off for weeks from the parish church and when a daily exercise of religious observances was of the first importance, a chapel always accessible and close at hand was necessary. ”
Lydia Huntley Sigourney,
Scenes in my Native Land
(1845)
“ Under the same roof is the chapel, where, every Sunday, portions of Scripture are explained, and religious instruction given by the teachers. There, also, the daily morning and evening devotions are performed. It is touching, even to tears, to see the earnest attention of that group of silent beings, the soul, as it were, sitting on the eye, while they watch every movement and sign of his hand, who is their medium of communication with the Father of Spirits. ”
“ A rift in the rocks extends the whole length of the chapel, over which trees hang their green foliage, which, ever rustling and trembling, form a trellis-work with the blue sky, while the spray rising from behind the rock-worn altar seems like the sprinkling of holy incense. ”
Sophia Beale, The Churches of Paris, from Clovis to Charles X
“ The west front is yet sound and good. Nothing particular strikes you on the entrance, but there are some interesting specimens of rich old stained glass in the windows of the transept. The choir is completely and cruelly modernised. In the side chapels are apparently several good modern paintings; and over an altar of twisted columns, round which ivy leaves apparently composed of ivory are creeping, is a picture of three figures in the flames of purgatory. This side chapel is consecrated to the offering up of orisons 'for the souls in purgatory.' It is gloomy and repulsive. ”
Edmondo De Amicis, Spain, v. 1 (of 2)
“ In the chapels there is a wealth of statues, rich altars, royal tombs, busts, and paintings, which are so shrouded by the deep gloom that they appear only as a confused mass of colors, reflections, and shadowy forms, among which the eye loses itself and the imagination faints. ”
Thomas Frognall Dibdin,
A Bibliographical, Antiquarian and Picturesque Tour in France and Germany…
“ There is a tolerably good set of modern paintings (the best which I have yet seen in the interior of a church) of the Life of Christ, in the side chapels. The eastern extremity, or the further end of Our Lady's Chapel, is horribly bedaubed and over-loaded with the most tasteless specimens of what is called Gothic art, perhaps ever witnessed! ”
W. Finden, The Ports, Harbours, Watering-places and Picturesque Scenery of Great Britain Vol…
“ The chapel, which is built of freestone, is part of an ancient church belonging to a monastery, founded here by St. Bega, a holy woman of the seventh century. The form of the building is that of a cross. The western portion, or nave, is now fitted up as the parish church, the great door of which is ornamented with grotesque heads, chevron mouldings, and other ornamental work in the ancient ecclesiastical style. ”
George Edmund Street,
George Edmund Street: Unpublished Notes and Reprinted Papers
“ On the whole the church wants dignity, and gives the impression of a parish church more than of a cathedral. The castle which rises above the west side of the town has not much old remaining. The chapel is poor flamboyant with some good stained glass in the apse. ”
