Summary

Various Punch, or the London Charivari…

JOHN SCALDS presided, and observed in his speech, "What is the good of taking the Working-Man from his own door to a park, if there is no park at the other end, only asphalte and tramlines and some stumps of trees cut down? What is the good of taking him to Westminster Abbey, if Poets' Corner has been made into a tramcar-shed? Besides, now the Working-Man is so much richer, and pays no rates or taxes, he does not want trams. They are only fit for the miserable Middle Class, and who cares about them?" This was greeted with loud shouts of, "Down with the Council!"
Source: Gutenberg

Various Punch, or the London Charivari…

Be delicate, be indirect, avoid simplicity, and there is hardly any limit to your choice of a husband.
I need say nothing about detrimental people. The conflict between a daughter and her parents on this point—so popular in fiction—very rarely takes place. It is well understood. You may fall in love with the detrimental person, and you may let him fall in love with you. But at present we are talking about marriage. Never marry a man with the artistic temperament. By the artistic temperament one means morbid tastes, uncertain temper and excessive vanity.
Source: Gutenberg

Various Punch, or the London Charivari…

Gentleman seated on Treasury Bench, with deeply-bayed shirt-front, and head closely bent over copy of Bill, "of a motherly hen gathering its brood under its wings, and trying to make things comfortable all round. Sometimes, when one of the brood grows a trifle importunate, the motherly expression on the expansive face sharpens, and the chicken is pecked at.
Source: Gutenberg

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