Summary

Various,  Punch, or the London Charivari…

“ Why the mischief don't they leave a man in peace and quietness on a hot afternoon like this? Here am I, routed out of a comfortable seat to go and drive a confounded White Rabbit, Sir! Idiotic, I call it!
The Curate. Pardon me, Colonel KEMPTON; but if you object to the Rabbit, I would not at all mind undertaking it myself—and you could take my Monkey—
The Colonel. Thanks—but I won't deprive you. A Rabbit is quite responsibility enough for me!
The Curate (to himself, disappointed) . He's afraid of a poor harmless Monkey—and he an Army man, too!
”
Source: Gutenberg

Various,  Punch, or the London Charivari…

“ Carefully he held the needle to the light, carefully he wetted and trimmed his cotton to a point. And for ten stricken minutes we saw him miss the eye of the needle, sometimes by an inch, sometimes by a hair's breadth. It was a thrilling contest between obstinacy and evasiveness. I was fascinated by it. Every time, as the cotton neared the eye, my heart slowly ascended into my mouth, only to drop with a fatal swiftness into my boots as the triumphant needle scored another victory. I began to imitate FUSSELL's every movement. I threaded invisible needles by the gross with imperceptible cotton. ”
Source: Gutenberg

Various,  Punch, or the London Charivari…

“ Because why waste three weeks on writing a Play, when it takes only three years to compose a Novel?
Because Critics who send articles to Magazines inviting one to contribute to the Stage, have no right to dictate to us.
Because a fairly successful Novel means five hundred pounds, and a fairly successful Play yields as many thousands—why be influenced by mercenary motives?
Because all Novelists hire their pens in advance for years, and have no time left for outside labour.
”
Source: Gutenberg

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