Summary

Various Scribner's Magazine, Volume 26…

Every lake had its well-defined path around the shore, just along the edge of the bushes.
A Portage.
At the head of our lake, about a mile from the tent, we stopped and ran the canoe ashore. Joe grunted hoarsely, and splashed the water with his paddle, and, sooner than it takes to tell this, we heard, not two hundred yards away, the most impressive sound that ever comes to a sportsman's ears, the ripping, tearing noise made by a bull moose, hooking the trees right and left out of sheer joy and pride in his strength.
Source: Gutenberg

Various Scribner's Magazine, Volume 26…

It is a perfectly safe policy for an architect to pursue. In the face of much tawdry stuff, one craves it—the mere hungry surface, relieved here and there by the authorized classic motives. But this cold chasteness is as much a moral as an artistic idea. It means æsthetic sterility, petrified decoration. A living art connotes invention. The same is true of the dictum that a good copy is better than a bad original. Perhaps it is; but no artistic progress can be made under such a tenet, and the beautiful prototype deteriorates in reproduction, and loses the inspiration in its frequency.
Source: Gutenberg

Various Scribner's Magazine, Volume 26…

The greatest glory of Canada is not its modern progress, but its vast and ancient wilderness. If you weary of the sameness and unprofitableness of every thing you know, go where I went last year, to the upper waters of the Ottawa, where the beaver is the master architect and the moose is king of the woods. See for yourself, as I saw, that the Ottawa and the Gatineau, appearing to come from widely distant regions, have their origin close together and are twins.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature