Summary

Various The Brochure Series of Architectural Illustration…

This arcade of heavy columns carrying absurdly disproportionate arches is their only motive, and applied inside between aisles and nave, and outside in successive stories rising one above another. As the masons begin better to understand their art, the span of the arch increases, though a large arch for some time does duty merely as a discharging arch, and has smaller arches beneath and within it.
Source: Gutenberg

Various The Brochure Series of Architectural Illustration…

The dignified course, it seems to us, is that followed by the committee of the Boston exhibition. In this case a certain number of pages was reserved in the catalogue to be devoted to advertising, and the houses to be represented were given to understand that all would be treated alike. No cuts would be used, and the pages would all be set in type of uniform style, thus insuring a desirable ensemble. We think that the advertising when well presented adds to, rather than detracts from, the interest of a catalogue. Our only desire is to see it done in good taste.
Source: Gutenberg

Various The Brochure Series of Architectural Illustration…

Wherever, for some constructive reason, a column is omitted against a wall, the capital becomes a corbel, carrying the arches. In many cases the corbels alone are used, and an arcaded corbel course becomes the favorite termination of a wall in the place of a classic entablature. Finally the arches are omitted, and the corbels alone support the eaves.
It will be noticed that while the Byzantine decorated the interior of the churches, the Romanesque builder merely constructed the interior and wrought out the most of his design upon the facade.
Source: Gutenberg

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