Summary

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Its double aisles, its clustered pillars, its lofty arches; the lustre of its walls; its numberless niches all filled with marble figures, give it an appearance novel even in Italy, and singularly majestic. The admirer of English Gothic will observe one peculiarity, which is, that in the cathedral of Milan there is no screen, and that the chancel is entirely open, and separated from the nave only by its elevation.
Source: Gutenberg

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In ascending the traveller will observe, that the roof of the church is covered with blocks of marble, connected together by a cement, that has not only its hardness and durability, but its colour, so that the eye scarcely perceives the juncture, and the whole roof appears one immense piece of white shining marble. The view from the summit is extensive and even novel, as it includes not only the city and the rich plain of Milan, intersected with rivers and canals, covered with gardens, orchards, vineyards, and groves, and thickly studded with villages and towns
Source: Gutenberg

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The sight "inspires us, and fires us;" and we count upon new letter bringing us new friends, and thus commence our Fourteenth Volume with new hopes and invigorating prospects. But what subject can be more appropriate for such a commencement, than so splendid a triumph of art as
MILAN CATHEDRAL;
situate almost in the centre, and occupying part of the great square of the city. It is of Gothic architecture, and its materials are white marble. In magnitude this edifice yields to few in the universe.
Source: Gutenberg

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