Summary

Portrait of Vernon Lee Vernon Lee Vanitas: Polite Stories

Stroking the thin white face, with the wide forget-me-not eyes, of the pretty, thin little blonde, Lady Tal left Marion, to his extreme discomfort, seated on the edge of a straw chair by the side of the bed, a bag of oranges on his knees and absolutely no ideas in his head.
"She is so good," remarked the little girl, opening and shutting a little fan which Lady Tal had just given her, "and so beautiful. Is she your sister? She told me she had a brother whom she was very fond of, but I thought he was dead. She's like an angel in Paradise."
Source: Gutenberg

Portrait of Vernon Lee Vernon Lee Vanitas: Polite Stories

He was rather like a man in love, who cannot decide whether or not he is sufficiently so to make a declaration and feels the propitious moment escaping. Greenleaf was not in love; had he been, had there been any chance of his being so, Val Flodden would not have been there in the cart by his side; she had once told him, in one of her fits of abstract communicativeness, that people in love were despicable, but for that reason to be pitied, and that to let them fall in love was to be unkind to them, and to prepare a detestable exhibition for oneself. So Greenleaf was not in love.
Source: Gutenberg

Portrait of Vernon Lee Vernon Lee Vanitas: Polite Stories

To Greenleaf the charm was immense. He nearly always played, when he did play, with men; and he hated the way in which the fiddle crushes the starched hideous shirt, the movement of bowing rucks the black sleeve and hard white cuff too high above the red, masculine wrist; and among the dreams of his life there had always been a very silly one, of a younger sister—he always thought of her as called Emily—who would have learned the violin, and who would have stood before him like this, bow in hand, while he looked up from his piano.
Source: Gutenberg

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