Summary

Victor Appleton Tom Swift and His Air Scout; Or…

If one starts off on the earth's surface at slow, or at great speed, one passes stationary objects—houses, posts, trees, and the like—and judges the speed by the rapidity with which these are left behind.
Going up is unlike this. There is nothing to pass. One simply cleaves the air, and only as it rushes past can one be sure of movement. And as the air is void of color and form, there is no sensation of passing anything.
So Mary Nestor, as she shot into the air with Tom Swift, had a sensation as though the earth were dropping from beneath her.
Source: Gutenberg

Victor Appleton Tom Swift and His Air Scout; Or…

The motor began to hum, and there was a deafening roar, just as there always is when the engine of an aeroplane starts. It was as though half a dozen automobile engines were being run with the mufflers cut out.
"Now I'll show you the difference!" yelled Tom, though such was the noise that not a word could be heard. "This shows you what my silencer will do."
Tom pulled another lever. There was at once a cessation of the deafening racket, though it was not altogether ended. Then, after a moment or two, there suddenly came a roar as though a blast had been let off in the shop.
Source: Gutenberg

Victor Appleton Tom Swift and His Air Scout; Or…

Tom had set down on paper some computations regarding the cross-section of one of the cylinders, and was working out the amount of stress to which he could subject a shoulder strut, when a shadow was cast across the drawing board he had propped up in his lap.
In an instant Tom pulled a blank sheet over his mass of figures and looked up, a sudden fear coming over him that another spy was at hand. But a hearty voice reassured him.
"Bless my rice pudding!" cried Mr. Damon, "you shut yourself up here, Tom, like a hermit in the mountains. Why don't you come out and enjoy life?"
Source: Gutenberg

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