Summary

Portrait of Victor Hugo Victor Hugo,  Les Misérables — Volume 3, Book Fifth…

“ Marius was the brass vase, while Father Gillenormand was the iron pot.
We admit that Marius was mistaken as to his grandfather's heart. He had imagined that M. Gillenormand had never loved him, and that that crusty, harsh, and smiling old fellow who cursed, shouted, and stormed and brandished his cane, cherished for him, at the most, only that affection, which is at once slight and severe, of the dotards of comedy. Marius was in error. There are fathers who do not love their children; there exists no grandfather who does not adore his grandson.
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Source: Wikisource

Portrait of Victor Hugo Victor Hugo,  Les Misérables — Volume 3, Book Fifth…

“ The misery of a young man is never miserable. The first young lad who comes to hand, however poor he may be, with his strength, his health, his rapid walk, his brilliant eyes, his warmly circulating blood, his black hair, his red lips, his white teeth, his pure breath, will always arouse the envy of an aged emperor. And then, every morning, he sets himself afresh to the task of earning his bread; and while his hands earn his bread, his dorsal column gains pride, his brain gathers ideas. ”
Source: Wikisource

Portrait of Victor Hugo Victor Hugo,  Les Misérables — Volume 3, Book Fifth…

“ Words which Marius continued to wear, not on his breast, since the colonel's writing had disappeared, but in his heart.
And then, on the day when his grandfather had turned him out of doors, he had been only a child, now he was a man. He felt it. Misery, we repeat, had been good for him. Poverty in youth, when it succeeds, has this magnificent property about it, that it turns the whole will towards effort, and the whole soul towards aspiration. Poverty instantly lays material life bare and renders it hideous; hence inexpressible bounds towards the ideal life.
”
Source: Wikisource

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