Victoria Hayward

Summary

Victoria Hayward,  Romantic Canada

“ Genre of wheat is no less distinct than genre of the ’longshore road. Here is the Sower, here the Reaper, here the Stacker-of-the-big-Sheaves—the Stooker as the Prairie calls him. He may be a man from the East, a Sioux, or a townsman out to lend a hand. With his brown water-jug and his bronzed face, he is almost a symbolic figure, building the golden sheaves in stacks of five for the playing breeze and warm sun to give the ripening touches to the grain that makes Canada—the bread-giver of the world. ”
Source: Gutenberg

Victoria Hayward,  Romantic Canada

“ No city of the Dominion is more closely of the same Romantic blood as Quebec, than Winnipeg, and strangely enough, one conceives this western city of Canada, from the viewpoint of a sculptor, not as “a strong man” but as a woman, eternally feminine, with trailing garments, with the immediately surrounding country out and beyond as far to the north and west as Canada goes, extending the hands of Romance, to cling fast to her skirts; as the figure of a mother held in leash and hardly able to step for the many loving hands of clinging children. ”
Source: Gutenberg

Victoria Hayward,  Romantic Canada

“ The land-end of fishing always makes a picture, wherever happened upon, but when the twinkling of lanterns lights the faces of the splitters at work about the splitting tables and the fish gleams white as it slides from the table to the tub as it does at Percé there is something Romantic indeed in the scene. Till ten, even twelve, and once as late as two o’clock in the morning, we have seen the lanterns gleam on Percé Beach and watched the black figures of the men flitting to and fro with hand-barrow and cart, carrying the loads of cod into the waiting room to the hand of the salters. ”
Source: Gutenberg

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