Summary

Portrait of Violet Jacob Violet Jacob Songs of Angus and More Songs of Angus

Charles Murray, who in the South African veld writes Scots, not as an exercise, but as a living speech, and recaptures old moods and scenes with a freshness which is hardly possible for those who with their own eyes have watched the fading of the outlines. It is the rarest thing, this use of Scots as a living tongue, and perhaps only the exile can achieve it, for the Scot at home is apt to write it with an antiquarian zest, as one polishes Latin hexameters, or with the exaggerations which are permissible in what does not touch life too nearly.
Source: Gutenberg

Portrait of Violet Jacob Violet Jacob Songs of Angus and More Songs of Angus

THE KIRK BESIDE THE SANDS It was faur-ye-weel, my dear, that the gulls were cryin'
At the kirk beside the sands,
Whaur the saumon-nets lay oot on the bents for dryin',
Wi' the tar upon their strands;
A roofless kirk i' the bield o' the cliff-fit bidin',
And the deid laid near the wa';
A wheen auld coupit stanes i' the sea-grass hidin',
Wi' the sea-sound ower them a'.
But it's mair nor daith that's here on the hauchs o' Flanders,
And the deid lie closer in;
It's no the gull, but the hoodit craw that wanders
When the lang, lang nichts begin.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature