Virginia Tracy,
The Handicap of Beauty
(1915)
“ But as I understand the more articulate voices from the audience, all this "box-office" pressure, all this clamor that fairness must be pink and smiling, all this hampering indifference to newer and finer uses for personal beauty, comes from the riffraff—from the matinée girl and the tired business man. It is true that an actor's audience does consist of three estates: the general public, to which, of course, nobody belongs; the superior public, to which we all belong; and the professional critics. It is this general public of nobodies, then, which rivets beauty's chains? ”
