Summary

Portrait of W. H. Hudson W. H. Hudson A Traveller in Little Things

Gazing up at the lark and putting myself in his place, the village beneath with its one long street appeared as a vari-coloured band lying across the pale earth. There were dark and bright spots, lines and streaks, of yew and holly, red or white cottage walls and pale yellow thatch; and the plots and gardens were like large reticulated mottlings. Each had its centre of human life with life of bird and beast, and the centres were in touch with one another, connected like a row of children linked together by their hands
Source: Gutenberg

Portrait of W. H. Hudson W. H. Hudson A Traveller in Little Things

And as she now appeared to me as a child in heart I could picture her as a child in years, in her little cotton frock and thin bare legs, a sunburnt little girl of eight, with the wide-eyed, eager, half-shy, half-trustful look, asking you, as the child ever asks, what you think?—what you feel? It was a wonderful world, and the world was the village, its streets of gritstone houses, the people living in them, the comedies and tragedies of their lives and deaths, and burials in the churchyard with grass and flowers to grow over them by-and-by.
Source: Gutenberg

Portrait of W. H. Hudson W. H. Hudson A Traveller in Little Things

They are in the wrong place in a book and cannot produce the same effect as when one finds and spells them out on a weathered stone or mural tablet out or inside a village church. It is the atmosphere—the place, the scene, the associations, which give it its only value and sometimes make it beautiful and precious. The stone itself, its ancient look, half-hidden in many cases by ivy, and clothed over in many-coloured moss and lichen and aerial algae, and the stonecutter's handiwork, his lettering, and the epitaphs he revelled in—all this is lost when you take the inscription away and print it.
Source: Gutenberg

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