Summary

Portrait of W. H. Withrow W. H. Withrow Valeria, the Martyr of the Catacombs…

Then the wily Fausta faltered out, "Said I not, he would defy both gods and men? We must do by stealth what we cannot do by force. Juba must ply her most secret and most deadly arts. I have certain subtle spells myself; and if mortal hate can give them power, I will make her beauty waste away like a fading flower, and her strength wane like a dying lamp."
"'Tis a dangerous game," replied Naso. "Be wary how you play it. As for me, armed with this edict, I will strike at mine ancient foe, for whom I long have nursed a bitter spite. Curse him! I am tired of hearing him called Adauctus the Just.
Source: Gutenberg

Portrait of W. H. Withrow W. H. Withrow Valeria, the Martyr of the Catacombs…

From the hundred provinces of Rome the tribute money wrung from wretched peasants, to support Imperial luxury, to maintain the conquering legions, to pay for the largess of corn that fed the Roman plebs, and for the fêtes of the circus that amused them, and to carry on the vast governmental administration of the Empire—all poured into this greatest focus of moneyed wealth in the world. Like Daniel in Babylon, Adauctus, the Christian, was set over all this treasure, "because an excellent spirit was in him, forasmuch as he was faithful, neither was there any error or fault found in him."
Source: Gutenberg

Portrait of W. H. Withrow W. H. Withrow Valeria, the Martyr of the Catacombs…

When the forms of the martyrs were uncovered, that their friends might take their last farewell, the Empress Valeria, for it was she, flung herself on her knees beside the body of the late slave maiden, and rained tears of deep emotion on her face. More lovely in death than in life, the fine-cut features seemed like the most exquisite work of the sculptor carved in translucent alabaster. A crown of asphodel blossoms the emblems of immortality—encircled her brow, and a palm branch—the symbol of the martyr's victory—was placed upon her breast.
Source: Gutenberg

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