Walter J. Sheldon

Summary

Walter J. Sheldon Jimsy and the Monsters

Untz breasted the police cordon, broke through.
Max! Stop!” shouted Harold. “Max—have you gone mad?”
Max evidently had. He moved so swiftly that everyone was too surprised to stop him. He burst into the small human-walled arena where the two bewildered monsters squatted and he thrust little Jimsy LaRoche out before him—right at the monsters.
An extraordinary thing happened. The monsters suddenly began to quiver and squeak again but this time—it was clear to the ear somehow—not with rage, but with fear. Pure and terrible fear.
Source: Gutenberg

Walter J. Sheldon Jimsy and the Monsters

Untz, “In Hollywood everything is relatives, believe me.”
“No, no—I wasn’t referring to nepotism,” said Harold. “I was thinking that you and many others, of course, prefer musicals. But there are vast other groups who prefer westerns, detectives, comedies or what have you. One man’s meat is another’s poison.
“But nourishment stays the same in principle. The artistic demands still hold and a good picture is a picture, whatever its field. Now, if you, as a producer, can shift to the other fellow’s viewpoint—find out why the thing that terrifies you amuses him—or vice versa.”
Source: Gutenberg

Walter J. Sheldon Jimsy and the Monsters

Untz to Harold Potter, “my right eye for some really horrible monsters.” He gestured at the world in general. “Think of it, Harold. We got atom bombs and B-29’s, both vitamins and airplanes, and stuff to cure you of everything from broken legs to dropsy. A whole world of modern science—but nobody can make a fake monster. It looks anything but fake and wouldn’t scare an eleven-year-old boy.”
Source: Gutenberg

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